Capri

What a pair of stacks, if you're only going for selfies!

In August there are crowds, it's hot and you sweat. Dearest, it was better before when no one knew it. Having exhausted the clichés, the island opposite Naples is a wonderful contradiction. So better to find new spots to explore it. And there are some...

by Francesca Barbiero

Illustrazione di Anna Godeassi

5' min read

5' min read

"But do you have to go there? If you must, at least avoid the piazzetta. Everything is so expensive, you can't believe how much they charge for a spritz with two peanuts. And forget about Via Camerelle, you can't even walk from the crowds. And then what do you care, it's not like it used to be, there are only jewellers and luxury boutiques. Don't take the funicular, a banger. Better a taxi to the port. But can't you go next year, in winter or maybe in spring? Not at Easter though, which is taken by storm. What an idea, to go just now. With all the places there are. I say the islands. Why don't you go to the Faroes? Or Sylt, the one with the rich Germans? You know they also do longevity treatments? You could try it'. Francesco Maria Colombo goes to Sylt and longevity treatments don't interest me. I'd like to prolong youth, not old age. In the Faroe Islands it rains, it's cold and there are mosquitoes too. Besides,' I say to my friend, 'you've been going there all your life and you spend the summer there.So why can't I go to Capri instead?

Here then. Go to Capri, and write about it. But how? According to the above-mentioned friend, it is vital to abide by the Rules of Survival Against Mass Tourism of the radical chic, who abhor crowds and do everything possible to discourage those who approach the places they go. Rule number 1. Avoid the places that make Capri Capri, such as the Faraglioni, the Grotta Azzurra and Punta Tragara. Rule number 2. Throw into the conversation that Capri was better before without specifying how much earlier, whether in Tiberius's time, Krupp's time, or Guido Lembo's time who made people dance and sing on the tables at Anema e Core. Rule number 3. Go out very little, bury yourself in the house and hardly ever set foot outside.

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Or. Immerse yourself in the masses, sinking into that noisy, sweaty river of tourists thronging the Molo Beverello in Naples, in Bermuda shorts, caps, flip-flops, prams, backpacks, trolleys, water bottles, lots of water bottles. Getting on the hydrofoil, where after a few minutes the temperature will turn polar because in the heat the rough sea can be felt more. And laughing with the Australians, the Indians, the Brazilians, the Germans who laugh and laugh when the sailor of the ferry company does his funny show in English to sell gadgets with the Capri Brand before you have even set foot on the island.

Being happy is an attitude, almost a talent, says Yasmina Reza, and in that magma of people who are about to see for the first time a place they have heard a lot about, there is something that has a lot to do with happiness. There are places that disappoint, Capri never. There is this psychosomatic illness, the Paris syndrome, which is apparently a transitory psychological disorder experienced by some people visiting Paris for the first time - particularly Japanese tourists - who 'shocked by the gap between reality and their idealised vision of the city find themselves disillusioned and destabilised'. Now, I am not aware of any disillusioned and destabilised Japanese tourists dining at Paolino's because the lemon arbour was not exactly as they had imagined it.

Disembarking from the hydrofoil at Marina Grande, the human magma reaches the funicular railway station and then - crammed into the carriages - is carried up to the piazzetta where everyone passes but no one stops. From there, the crowd disperses among souvenir shops and luxury brands, queues up at the Buonocore ice-cream parlour to eat a freshly made waffle, and swarms towards Punta Tragara to take the only real reason for a holiday on Capri: theselfie in front of the Faraglioni.

But all the way down to the Certosa, where Capri has paid homage to Karl Wilhelm Diefenbach by dedicating a permanent space to him, we are very few, a handful of people. Because like all places taken by storm by what they now call overtourism, even on Capri all it takes is a few detours, a diversion of just a few metres and you recover the Wanderlust, the joy of walking slowly. Capri is also this: ying and yang, snob and boorish, elegant and sweaty, solitary and chaotic.

Diefenbach, a naturist, nudist, theosophist and even pacifist, is one of those eccentric personalities who throughout history have left the mainland for the islands, which are not just places but true metaphors for existence. His life also inspired Mario Martone for the film Capri Revolution. At the beginning of the 20th century, Diefenbach fled Germany and created his own community of freaks on Capri inspired by nature, art, rejection of violence and respect for animals. He was fifty years old, with a troubled life behind him, and was looking for a place where he could finally find peace and freely express his theories in communion with nature. The island was in those years, writes Lea Vergine, "the magnetic pole, the point of confluence, the obligatory stop, the geometric place of friendships and leave-taking of the most disparate destinies, the pivot around which a large part of culture and politics revolved from 1905 to 1935, just to focus on a golden period that today seems archaic but whose meaning has never ceased to leave expectations".

Going against the tide of tourists heading for the Gardens of Augustus to take more selfies, another small diversions and we find ourselves practically alone on Capri even in summer. A ten-minute walk from the Piazzetta takes you to the two adjoining but separate cemeteries, the Catholic and Non-Catholic Cemeteries. Buried there are Jakob von Uexküll and his wife Gudrun von Schwerin, a German aristocrat. Baron von Uexküll, the true founding father of ethology, an enemy of that Konrad Lorenz of Nazi sympathies, spent his life observing the behaviour of the tick and its only source of stimulation: the acrid smell of butyric acid emitted by the skin of mammals. von Uexküll and his wife moved to Villa Discopoli in Capri from Hamburg in 1940 at the insistence of the family doctor to escape the nightly alarms that were not good for Jacob's health as he was a heart patient.

After her husband's death, Gudrun continued to reside at Villa Discopoli for many years and was a reference figure for the community of poets, artists, writers and scholars who lived on the island in those years. On Gudrun's gravestone are lines from Rilke's The Experience of Death written during the period he spent at Villa Discopoli: 'We know nothing of this vanishing that does not happen to us'. During their years on Capri, Gudrun and Jacob got to know another celebrity of the island, Axel Munthe, who hosted them during the summer in the guest quarters of Villa San Michele in the most private part of the island, Anacapri, to escape the unbearable tourist crowds. Ahhh, that smell of butyric acid....

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