The Benetton family's longest hour
We anticipate an excerpt from 'Never Stop', in which the author reveals the 2021 meeting in which the family decides together to renew the group
4' min read
4' min read
Villa Minelli has belonged to my family since 1969: it is a 17th-century Venetian villa that my father and his brothers restored together with Afra and Tobia Scarpa, installing the heart of Benetton there. It is the place that most represents the history of the company and it is there, next to my father's office on the ground floor, that I ask my cousins to meet us.
Since, before being partners, we are a family, it is to the latter that I speak, without mincing words: 'Under these conditions I cannot stay, everything our parents believed in is crumbling before our eyes'.
I am ready to leave, in agreement and together with my father, but there is a problem: I am not the one who leaves, I am the one who finishes the race. One never quits, even if there is only one, tiny chance of succeeding: my father taught me that, by word and example. And in fact a die-hard part of me doesn't listen to reason, tells me: 'No, wait, try again, underneath they think like you'.
They are intense hours, we speak frankly. I thought the cousins would do nothing to hold me back, that they would be relieved by my decision: Alessandro is always the one to disagree, what can you do, thank you and goodbye, friends as before. Instead I was wrong. Or rather, perhaps I hoped it would be that way. They too are realising that we cannot make up for mistakes by relying on mechanisms and logic from the past. That we cannot work with a management we do not trust, just as we cannot work with a management that does not trust us.
So we start again: from identity. "What do you think Edizione should be?" I ask. "From my point of view, if it exists to make money, then we can consider it a financial company, but in that case we would be better off with a specialised fund, which certainly performs better than all of us put together. However, I remember the year Edizione was born, and I remember that the aim was to export our parents' entrepreneurship, their values, their far-sightedness to sectors other than clothing. And I bet you remember that too. Here, if we want to pick up that baton, to be long-term entrepreneurs, to play a positive role in the country, with projects that go beyond us because they are oriented towards the welfare of the next generations, then I am here to build with you. And I dare, I propose my project once again: a completely new edition.

