Essays

The empty space where the breathing of the sky takes place

Guido Tonelli recounts two thousand five hundred years of physics discoveries with exciting digressions that show how these have been reflected in literature and music

by Lara Ricci

(Adobe Stock)

4' min read

4' min read

More than two thousand five hundred years ago, Pythagoras of Samos imagined "an empty space in which the breathing of the heavens would take place and another empty space, which would separate natures from each other, forming the distinction between continuous and discrete; this would be found first of all in numbers and would separate their natures": Aristotle reports this in Physics, IV, 6.

While not wishing to give in to the temptation to interpret the claims of the ancients in the light of what was discovered thousands of years later, Guido Tonelli, a physicist at Cern, one of the discoverers of the Higgs boson, in L'eleganza del vuoto. Di cosa è fatto l'universo (Feltrinelli, pp. 192, euro 18) writes: "with a little imagination, one could find the intuition of a 'cosmic vacuum', the one in which the breathing of the sky takes place, and of a 'microscopic vacuum', the one that superintends the infinitesimal separation between increasingly smaller discrete numbers".

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In other words, in Pythagoras' thought one would find an intuition of what would only be discovered in the 20th century: 'the immense vastness of the vacuum enveloping our planet and, to the great surprise of the authors themselves of some of the first explorations of the infinitely small, that the vacuum dominates even the most infinitesimal distances, those inhabited by elementary particles'.

Tracing the history of the idea of the void in philosophy and science, with fascinating digressions showing how the discoveries of physics have been reflected in literature and music, in The Elegance of the Void, Tonelli summarises how man has come to know what he knows about matter, the universe and the laws that govern them with admirable simplicity and clarity, allowing even the layman to understand how such prodigious ideas could be developed and how they have become part of everyone's cognitive and emotional heritage.

It is surprising, for example, to think that even Einstein, until the mid-1920s, was convinced that the universe was reduced to the stars in the firmament: the Milky Way. He had then already discovered that mass and energy are different aspects of a single phenomenon, and with the theory of special relativity had revolutionised our view of the microscopic world. But he was still bringing into focus another, radical, change of perspective: that space-time was not two infinite entities, as Newton imagined, but a single entity, which deformed by bending in the presence of very large masses. The entire universe could then 'be described in a single elegant formula, linking mass-energy density to the geometric structure of space-time'.

Soon afterwards, the first experimental confirmation of the theory of general relativity would take place, thanks to a solar eclipse: in 1919, an English astronomer, Arthur Eddington, went to observe one from Prince Island and succeeded in showing that starlight was slightly deflected by the mass of the sun, exactly as Einstein had predicted. Five years later, the young astronomer Edwin Hubble was then able to show that what was then called the Andromeda 'nebula' was also a galaxy: a cluster of distant stars independent of the Milky Way. Suddenly an immense space opened up before the eyes of mankind: the cosmos had become much larger than it had been imagined until then. Today, it is known that the visible universe has a diameter of ninety billion light years and is estimated to contain between one hundred and two hundred billion galaxies, each with tens of billions of stars, dust, gas, planets and other small celestial bodies. One hundred years after the publication of the theory of general relativity, in 2015, the large Ligo interferometers succeeded in intercepting gravitational waves: envisaged then, they had remained just a hypothesis.

And the vacuum? Already Einstein - to explain the gravitational attraction acting between distant bodies - had had to fill the cosmic void with a 'very strange substance': space-time 'that expands in time, that twists and vibrates and contains energy that can be transmitted over great distances'. Today we know that the vacuum is full. "The quantum vacuum is not nothingness, in fact, in some ways it is the opposite of nothingness. It contains an immense amount of organised matter in the form of particle pairs and anti-particles. It is a material state itself, obeying the laws of physics and giving us the most incredible of surprises: our material universe,' Tonelli writes.

"For millennia," he adds, "humans have disputed being and non-being, emptiness and the real world, everything and nothingness. Today, contemporary science cuts with a sword the knot that has made philosophers of all ages argue. The cut is clean, the conclusion is both unequivocal and astonishing: everything and nothing coincide, they are two complementary aspects of the same material substance. Nothingness' can disguise itself as 'everything', emptiness can transform itself into another form of emptiness, apparently very different, which we call the universe. Emptiness can give rise to a marvellous material world that develops a dynamic that spans the ages, produces immense transformations, but is still empty, continues to be nothing but empty: a form of emptiness that contains elements capable of reflecting on themselves and the meaning of their own history. Contemporary science has found an absolutely astonishing solution to the dilemma that torments Hamlet: 'To be or not to be? To be is not to be'.

© REPRODUCTION RESERVED

Guido Tonelli

The elegance of emptiness.

What the universe is made of

Feltrinelli, pp. 192, € 18

Copyright reserved ©
  • Lara Ricci

    Lara Riccivicecaposervizio curatrice delle pagine di letteratura e poesia

    Luogo: Milano e Ginevra

    Lingue parlate: Inglese e francese correntemente, tedesco scolastico

    Argomenti: Letteratura, poesia, scienza, diritti umani

    Premi: Voltolino, Piazzano, Laigueglia, Quasimodo

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