Ultimo’s concert: a record-breaking stage and 34 towers, each 33 metres high
For some fans, the arrival in “town” was marked by queues and people camping out in tents to secure a prime spot, despite the singer-songwriter’s appeal to take care in the cold weather
A sea of people – Ultimo’s 250,000 fans – peacefully flooded the vast open space at Tor Vergata in Rome for *La favola per sempre*. The event was made possible by an impressive organisational effort, although the high temperatures made the journey to the outskirts of Rome challenging. An unprecedented organisational, logistical, technical and human effort for a music concert, designed with the aim of ensuring the audience had an experience that was as safe, accessible and stress-free as possible, involving a total of 10,000 staff members.
Concert figures
There are around 2,500 security staff already on duty to assist with and manage the arrival, stay and departure phases, in constant contact with the more than 500 healthcare workers deployed across 10 advanced first-aid posts and 20 ambulances. Over 50 staff members will be dedicated to supporting and assisting spectators with disabilities, and there will also be a dedicated support point for pregnant women, staffed by a medical team specialising in obstetrics and gynaecology and equipped with the necessary medical equipment.
A level of the utmost attention and care, also demonstrated by the decision to open the doors of the dress rehearsal on 2 July to all people with disabilities who had requested to attend, a unique gesture from the singer-songwriter, who has always declared and demonstrated his desire to stand with the marginalised, and who was thanked with a banner reading ‘thank you for making us number one’.
A record-breaking stage, featuring a colossal structure measuring 140 metres in length and 60 metres in height, with 34 towers each 33 metres high. 2,500 square metres of high-resolution LED screens, over 1,500 light fixtures, 18 giant screens positioned throughout the show area, and 38 delay towers with sound and lighting. Suspended 60 metres above the ground and supported by two cranes is an enormous illuminated metal structure, 21 metres wide and 10 metres high, depicting Ultimo’s signature, which looms over a gigantic symbol of infinity (a now-recurring visual motif around which the entire concept of the project revolves), fitted with lighting fixtures and animated by variable-speed motors – 46 in total – which control all the show’s movements. At the centre of the stage is a 30-metre-long catwalk, also shaped like the infinity symbol.
The fans arrive
For some fans, the arrival in the “city” was marked by queues and tent camps as they jostled for a prime spot, despite the singer-songwriter’s appeal to take care in the heat. The first fans, who arrived at the venue on 19 June, kicked off a wait that has now become an integral part of the event itself – a veritable collective ritual: an all-Italian version of the great American tradition of tailgating, that increasingly widespread phenomenon that fills stadium car parks, transforming them into meeting places and party venues ahead of major sporting events.

