Cultural heritage

50 statues from Genoa’s Albergo dei poveri are restored to their former glory

The restoration was completed thanks to the patronage of the Clerici and Friends of Genoa foundations. Works created between the 17th and 20th centuries

Alcune delle statue restaurate nell’Albergo dei poveri

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Fifty statues, seven busts and two medallions from the monumental complex of the Albergo dei poveri in Genoa have been restored thanks to a project carried out, through a patronage initiative, by the Friends of Genoa Foundation and the Paolo and Giuliana Clerici Foundation (the latter established by the shipping magnate Clerici and his wife). A combined donation of over 200,000 euros (approximately 100,000 each), from the two organisations has made it possible to restore the statues – crafted in stucco and marble by leading Genoese artists (and others) over the course of the building’s 370-year history – to their former glory.

The Albergo dei poveri, built from the mid-17th century onwards thanks to Emanuele Brignole, who was its first and most important benefactor, is one of Genoa’s most imposing buildings and a testament to the tradition of solidarity and generosity that has characterised the city’s history. The sculptures inside, created between the 17th and 20th centuries, form a veritable gallery of stone figures: benefactors, nobles and figures linked to the institution’s history. The works include pieces by some of the most prominent exponents of the Genoese school of sculpture.

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As Annamaria de Marini, the hotel’s superintendent, recalls, the journey begins with Pierre Puget’s ‘Immaculate Conception’ (on the high altar of the complex’s church, Ed. ), one of the finest Baroque sculptures in our city, to Francesco Maria Schiaffino, one of the most important artists of the 18th century, Filippo Parodi, Giovanni Baratta from Carrara, Giacomo Antonio Ponsonelli, Pasquale Bocciardo, right through to the most recent names, which are those of the great 20th-century Genoese school of sculpture centred on Staglieno Cemetery: Norberto Montecucco and Giovanni Scanzi’.

The campaign to promote the building’s historic area – which, covering 60,000 square metres, was originally built to provide shelter for the city’s poor and is now, in part, restored and also houses lecture theatres for the University of Genoa, was launched by the Friends of Genoa Foundation in March 2025 and continued until mid-2026. This was no easy task, but it was made possible in part by a significant donation from the Paolo and Giuliana Clerici Foundation, which chose to support the other organisation in the restoration project, sharing the aim of returning the Albergo dei poveri to the city.

Prior to restoration, the surfaces showed deposits that had built up over time, colour changes, small gaps, cracks and flaking, which partly prevented the works from being appreciated as they had originally been conceived. The restoration, carried out by conservators Sara Davolio Marani, Daniela Tasso, Matilde Garré, Francesca Olcese and Francesca Ventre, was conducted using a conservative approach, respecting the original material and minimising interference, through cleaning, consolidation, filling of gaps and colour restoration. The work has allowed details and expressive features to re-emerge which, in some cases, had long since become illegible. For some of the statues, this was the first restoration work carried out since they were first created.

“Genoa,” emphasises Paolo Clerici, president of the foundation of the same name and vice-president of Friends of Genoa, “has given so much to my family and to our entrepreneurial history. My wife Giuliana and I feel a desire to reciprocate this bond. The sculptures at the Albergo dei poveri depict people who have chosen to devote part of their wealth to the common good: a testament that, as an entrepreneur, strikes me particularly deeply. We wanted to support its restoration because we believe that the success of a business also brings with it a duty to contribute to community life. It is in this spirit that we established our foundation and that guides our decisions.”

Carlo Perrone, president of Friends of Genoa, adds: “We believe that the protection of our heritage is a shared responsibility and that collaboration between charitable organisations and institutions can yield concrete and lasting results. And we hope that this achievement will encourage the continuation of the process we have begun, involving new supporters and partners to continue promoting the extraordinary treasures of our city.”

“Returning ‘50 statues, seven busts and two medallions’ to the city,” concludes Marco Sinesi, special commissioner of the Emanuele Brignole ASP, “is an achievement that fills us with pride and gratitude. The Albergo dei poveri owes its existence to the generosity of Emanuele Brignole and many benefactors, whose faces are carved into these works: it is particularly significant that, centuries later, it is still generosity that restores their beauty”.

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