Intelligences' at the heart of the Architecture Biennale 2025
Explained by Carlo Ratti and the president, Pietrangelo Buttafuoco, the concept of the 19th edition, which opens on 10 May (until 23 November)
by Paola Pierotti
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4' min read
Key points
4' min read
Natural and artificial intelligence. Informal settlements and collective intelligence. Temporary spaces that may become permanent or inspire other projects around the world. But above all, architecture at the centre of the story, in dialogue with art, engineering, environmental and climate sciences, in an original research "to be carried out together, to bring new ideas into the built environment".
This, in brief, is the proposal of Carlo Ratti, curator of the 19th International Architecture Exhibition (which will open in Venice from 10 May 2025 and close on 23 November) who, together with the president of the Foundation, Pietrangelo Buttafuoco, illustrated his project for the next Biennale. Now begins a year's work for Ratti, an architect and engineer by training, director of the Senseable City Lab at the Massachusetts Institute of Technology (MIT) and founding partner of Carlo Ratti Associati, appointed in December 2023 at the suggestion of the then president Roberto Cicutto with the current president Buttafuoco.
Intelligence, intelligences. This term, in the plural, is the focus of Ratti's reflections, starting with the natural and then moving on to the artificial and the collective. "Everyone talks about intelligence, and it is important to explore the theme through those researches in which intelligence is embodied in something, in the physical component. That is why architecture comes into the picture.
Hence the title of the Architecture Biennale 2025: Intelligens. Natural. Artificial. Collective. The hashtag? #IntelliGens
Ratti and President Buttafuoco repeatedly referred to Umberto Eco's concept of the 'Open Work'. "Space is not a where, but a how," the President of the Biennale recalled in his introduction, adding, "and it is like a function, a gait, an intensification of what is much more than a sign, a meaning. And again 'let us imagine what space has become today, in the flux of digital transition'. Buttafuoco anticipates Ratti's research by recalling his commitment to dealing with "future time, with a vision that transcends contemporaneity". And again, 'contemporaneity as a reservoir of memory, cultural matter that faces and confronts science'.
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