Locarno Film Festival

“The Invite”, a biting comedy by Olivia Wilde featuring a stellar cast

The highly anticipated American film starring Seth Rogen, Penélope Cruz, Edward Norton and the director herself is screening at Locarno

The Invite

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

A comedy was one of the standout highlights of the first week of this year’s Locarno Film Festival: *The Invite*, Olivia Wilde’s third film as a director, had the Piazza Grande in stitches – that magical setting which is always the great added bonus of this famous Swiss film festival.

Following *The Revenge of the Losers* (2019) and *Don’t Worry Darling* (2022), the famous American actress has returned behind the camera for what is, to date, undoubtedly her most successful feature film. “The Invite”, a remake of the delightful 2020 Spanish comedy “Sentimental”, tells the story of a couple – played by Olivia Wilde herself and Seth Rogen – whose marriage has become worn down by the daily grind. One day, however, just like any other, she invites their noisy upstairs neighbours – a charming and uninhibited couple, played by Penélope Cruz and Edward Norton – round for dinner, and they end up being drawn into something they could never have imagined.

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However, Cesc Gay’s *Sentimental* is not the only main point of reference for *The Invite* (it should also be noted that the Spanish film has already had several remakes, including the 2022 Italian film *Vicini di casa*), but Woody Allen’s films also spring to mind, as do the many films set entirely within a single flat, depicting relationship crises (from *Carnage* to *Perfetti sconosciuti*, to name but a few).

For all these reasons, “The Invite” certainly doesn’t stand out for its originality, but it miraculously manages to mask the limitations of a familiar plot thanks to the excellent pacing the film maintains throughout.

The Invite

Intelligent entertainment

This biting and irreverent comedy features a series of truly clever jokes, ranging from amusing double entendres to spats between the couple that are as realistic as they are hilarious.

The standout actor is Seth Rogen, but the whole cast works perfectly, making the characters on screen entirely believable, even though their various traits often lead them to go a bit over the top.

In addition to the excellent acting, however, the superb editing is particularly noteworthy – as is evident right from the very first sequence – and this is the film’s main strength, keeping the audience engrossed from start to finish.

To conclude, it is worth noting that the film will be released in our cinemas in mid-September and, for anyone looking for a sharp comedy with just the right touch of irony, it is simply unmissable.

Paper Tiger

Paper Tiger

Also set against the backdrop of Piazza Grande, “Paper Tiger”, the new film by James Gray – which had already been selected for the competition at the last Cannes Film Festival – was screened.

Set in New York in 1986, the film tells the story of two brothers – who are as different as night and day – who join forces to land what could be the biggest deal of their lives. Standing in their way, however, is the Russian mafia, and a mistake made by one of the brothers – albeit in good faith – could cost his family their lives and sever the bond between the two brothers.

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James Gray reflects deeply on the power of the gaze (all the main characters will face a crisis at moments when they are unable to see clearly what lies before them) and delivers several masterful sequences in which he plays with the light and shadows of the cinematography in an extremely striking way. Drawing on elements from his debut *Little Odessa* and the remarkable *We Own the Night*, Gray crafts a sort of Greek tragedy set during Ronald Reagan’s second term in office, in which one senses very strongly that he is once again chronicling the decline of certain American ideals and dreams.

The result is a deeply political noir, with a powerful visual and auditory impact, which reaffirms the director’s talent and is enhanced by excellent performances from Adam Driver, Miles Teller and Scarlett Johansson.

Paper Tiger

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