Culture

The Leopardi Library takes us back 500 years and unveils a 16th-century fresco

Restoration work has brought to light paintings that had been hidden away since 1841. Giacomo’s library now offers visitors the added attraction of the Sala degli Antichi

by Patrizia Maciocchi

Biblioteca Leopardi

3' min read

Translated by AI
Versione italiana

Key points

3' min read

Translated by AI
Versione italiana

A past stretching back five centuries returns and imposes its beauty to enrich the history of the Palazzo Leopardi Library in Recanati. And the rooms of the “paternal hostel” are transported back over five hundred years, revealing the painted decorations seen by Giacomo, before they were concealed by work on the plaster, carried out in 1841, as noted by the father of the young fabulist.

Monaldo Leopardi writes, in fact, in his diary: “The small room in my flat adjoining the Library has been restored”. The Sala degli Antichi has been restored to its former glory thanks to meticulous restoration work, which has brought to light the gilded bronze caryatids and the niches painted with allegorical sculptures of Charity and the Sibyl. These figures frame the larger scenes: the biblical scene of the Expulsion of Adam from the Garden of Eden, a seascape featuring a ship, Aeolus, guardian of the winds with a star and a scroll bearing the phrase “In te confido”. The upper pictorial cycle depicts hunting scenes and pilgrimages within a landscape reminiscent of the Apennines.

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Sala degli Antichi Olimpia Leopardi con una parte dell l’affresco scoperto in Biblioteca

In the belief that art is meant to be shared, the Sala degli Antichi will enhance the library’s collection, which, with its 20,000 volumes, attracts tens of thousands of visitors every year driven by their love for an “infinite” poet.

Opening the doors to Giacomo’s library are Countess Olimpia Leopardi, a descendant of the poet, who speaks of her surprise and delight at a discovery that has exceeded all expectations.

Dettaglio affresco Biblioteca Leopardi

Olimpia Leopardi’s story

“Our family’s mission has always been to preserve the places Giacomo loved and called home; the places where he dreamed, studied, imagined, wrote poetry and lived through the happiest years of his life. With this in mind, though without expecting anything extraordinary, we decided to undertake a major restoration of the walls in what has been commonly known since 1898 as the manuscript room,” explains Olimpia Leopardi - The name derives from the fact that Giacomo Leopardi (the poet’s namesake nephew) enlarged, altered and furnished it in the style of the time, to celebrate his uncle’s greatness by displaying Leopardi’s manuscripts and first editions in that space. Old houses always hold surprises, for better or for worse. What we have the pleasure of sharing with the public today is one of those discoveries which, step by step, give rise to amazement and wonder, as one glimpses its potential and hopes, with growing excitement, that it is not merely an illusion.

Sala degli Antichi con una parte dell’affresco scoperto in Biblioteca

As work began, tests were carried out on the walls. We knew that the most recent paintwork had concealed a 19th-century decoration, and our aim – in consultation with the Heritage Authority – was to bring it to light, restoring the room to its original splendour, which had been lost under the layers of paint. But we could never have imagined discovering colours as brilliant as they were unexpected, which slowly began to ‘tell us’ an even older story. From that moment on, with great patience and extreme care, a slow and meticulous process of uncovering began, gradually revealing fragmentary traces of ancient lost decorations. By nature, I would have liked to move faster, to reach the ‘lost’ treasure quickly. But restoration requires patience, measured time, precision, continuous consolidation and long moments of waiting: a process that demands respect and attentiveness. Today, however, the agony of waiting has been amply rewarded by the extraordinary gift bestowed upon us by ‘these ancient walls’.” A gift that Olimpia Leopardi wished to dedicate to her father, Count Vanni Leopardi, for whom sharing Giacomo’s world was a categorical imperative throughout his life.

Olimpia Leopardi Biblioteca con l’affresco scoperto e dettaglio la cacciata dal Paradiso

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