Letter to the saver

The Netflix game: margins and cash flow under the market lens

Margins and free cash flow have risen, pushing the stock up in the past year. Analysts point to the weight of investment and competition

by Vittorio Carlini

6' min read

Translated by AI
Versione italiana

6' min read

Translated by AI
Versione italiana

On the one hand, marginality. On the other, cash flow. All with new subscriptions taking a back seat. This is the approach that Netflix has adopted to communicate the dynamics of its financial results to the market.

Marginality

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Against this background, it is interesting to analyse the trends of the above variables over time. Starting, in the first place, with marginality. That is: the ratio - for example - between adjusted EBITDA and revenues. Well: generally speaking - albeit with dips and rebounds - the historical trend is upwards. According to the Bloomberg terminal - which allows a long-term comparison - the ratio was worth 2.6% in 2012. Thereafter, the ratio - always adjusted - gradually increased: it was 5.4 and 7.8 per cent in 2015 and 2017, respectively. Then - thanks to the streaming boom in the wake of the Covid pandemic - it reached 23.3% in 2020. From there, the adjusted Ebitda margin started - evidently also due to the large investments in own productions - a braking period, which lasted until 2023. In that year, the indicator stopped at 23%. Last year, however, the margin picked up again, reaching 28.8%. Currently, according to the Bloomberg terminal, the ratio of adjusted Ebitda to rolling turnover over the past 12 months is 48.5%, while the estimated ratio for the full year is 49.1%. In short: the indicator, even among various rollercoasters, has shown an upward trajectory. The dynamic, on closer inspection and over the last period, is confirmed by the company itself. The operating margin - whose percentage values do not have to be compared with those of Bloomberg as they are calculated differently - was 27.2% in the second quarter of 2024. In the last quarter of the same year, however, the indicator had fallen to 22.2 per cent. In the period between the beginning of April and 30 June, it rebounded to 34.1 per cent, and the group estimates that the ratio should reach the level of 31.5 per cent at the end of the current quarter.

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LA STORIA DELLA MARGINALITÀ

Dati in % del rapporto tra Ebit e ricavi

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Cash flows

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From margins to cash flows. Specifically, the so-called free cash flow. That is to say - in very simple terms - the 'free' cash generated by the company's activities, after all necessary operating expenses and investments (from machinery to software to content) have been paid. Well: the free cash flow front has, for some time, been one of the points on which analysts have focused their attention and, also, much of their criticism. As the Bloomberg terminal points out, Netflix has been burning cash for several financial years. Until 2019 (USD 3.14 billion in the red), the group had negative free cash flow on its balance sheet. In 2020, however, there was the first positive sign: 1.9 billion in positive free cash flow. From there, after another negative number - albeit limited to 132 million in 2021 - the historical series was always in the black. From 1.6 billion (2022) to 6.9 billion in 2023 and 2024. The upward trend is confirmed - again - by the same group, which, with free cash flow (Fcf) of 2.267 billion in the last quarter, raised its estimate for the entire year. Netflix expects free cash flow of between 8 and 8.5 billion at the end of 2025, compared to around 8 billion previously indicated. Again, therefore, the parameter trend seems to be showing a good fit.

FLUSSI DI CASSA

In miliardi di dollari flussi di cassa operativi netti

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Experts' doubts

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True! Some analysts have pointed out that the Fcf for the second quarter of 2025 - although it rose year-on-year - fell sequentially compared to the first quarter of the current financial year. Having said that, however, it must be remembered that - for example on the content payment front - business is subject to seasonality. In other words: the first months of the year are - normally - characterised by lower disbursements and, therefore, the generation of higher cash flows is facilitated. In general, therefore, the experts welcomed the trend of this indicator.

In short, all as easy as drinking a glass of water? The reality is more complicated. To realise this, it may be useful to analyse some of the analysts' considerations following the publication of the Q2 2025 figures (in the wake of which the company's stock on the stock exchange fell 5.1% in the 18 July session).

TRIMESTRI A CONFRONTO

Dati in miliardi di dollari al 30/6/2025 e 2024

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The group, it should be recalled, was characterised by revenues of EUR 11.079 billion, up 15.9% compared to the same period in 2024. Furthermore, net profit rose to 3.125 billion (2.147 billion a year earlier). So: growing accounts. While appreciating the numbers, the experts, however, primarily focused on turnover. In particular, it was pointed out that the first line of the budget was based on three main levers: price increases, the introduction of advertising, and the stabilisation of the subscriber base (after the increase in the wake of the crackdown on password sharing). All solid levers but - it is the objection - not infinite: prices, for instance, cannot be raised continuously without creating risks on the user churn rate.

RICAVI E AREE GEOGRAFICHE

Dati in miliardi di dollari al 30/6/2025 e 2024

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The company's considerations

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Netflix rejects fears. The management explained that revenues are benefiting from a balanced mix: on the one hand, the increase in subscriptions continues at the same time as the penetration of advertising; on the other hand, the pricing strategy has not - so far - brought any abnormal rise in the 'churn rate'. In particular, the company insisted on the contribution of advertising: the Netflix Ads Suite is now up and running and advertising turnover is doubling year on year, exceeding the forecasts made at the beginning of 2025.In short: this is a long-term, not a short-term factor.

Having said that, however, it was further objected that the high expenditure on original content (in 2025 it remains around 18 billion) constitutes a risk. Some experts expressed fears that this level of investment could squeeze margins if new titles do not generate sufficient 'engagement'. Again, Netflix has stated that it does not share this concern. First of all, is the indication, the portfolio diversification is recalled: the group produces and distributes multiple titles every year, in different genres and languages, with a not indifferent weight of local productions ('local for local'). The approach, the company goes on to explain, reduces dependence on single hits (global or otherwise). So much so that, even the most-watched productions account for less than 1 % of the total hours watched in the time window considered. Not only that. The multinational streaming company states that the investment - although high - should not be considered as a non-repayable expense. Rather, as the construction of an increasingly rich and proprietary catalogue, which generates returns over time. Indeed, Netflix points out that original productions have a long life on the platform, feed recommendations and can also be exploited for other formats, such as games or derivative products.

The competition

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Finally: competition. Industry analysts have reiterated the theme of increasing competition. A challenge that is brought not only by traditional rivals such as Disney+, Prime Video and Apple TV+, but also by platforms such as YouTube, TikTok or free services with advertisements that take away users' attention time. The company, while admitting the dangers that come with such stiff competition, indicates that it can handle the situation. Not only because, on the one hand, its growth is sustained by - precisely - new users, advertising, product quality and the global scale of the offer; but also because - together with the ability to manage big data concerning customers - there is still 'about 80 per cent of the TV share that neither Netflix nor YouTube itself owns'. Put differently: there is an important space - occupied now, for example, by linear TV - that can be conquered.

Multiples on the market

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Yes, conquered. But given these considerations, what are the dynamics of the stock's stock market multiples? According to Seeking Alpha, on the one hand, the non-GAAP forward P/E is 44.1 (14.3 the average for the comparator sector); on the other hand, the non-GAAP forward PEG is 1.85 times (1.49 the comparator). The forward PEG, on the other hand, is 52.3 compared to the comparison value of 8.23. In such a context, Seeking Alpha first indicates that the valuation 'is particularly high' and then points out that 'the momentum is remarkable: one-year performance is up about 68%, far outperforming the sector'. In short, the do-it-yourself saver, as usual, must move with great caution, always considering his or her own risk appetite.

Further reading

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