Art Trips

The only enemy is haste: the secret of every good collector

Two thousand six hundred pieces brought together in half a century of passion. One of the most important collections of Chinese Ming and Qing export porcelain is located in Sintra.

by Di Patrizia Sandretto Re Rebaudengo

Lo shop della Albuquerque Foundation, a Sintra, in Portogallo. @nikolai-nekh

3' min read

3' min read

Art critic, curator and author, Jacopo Crivelli Visconti was born in Naples and has lived for more than twenty years in São Paulo, Brazil, where he holds a doctorate in Architecture. He curated Brazil's participation in the Venice Biennial in 2007 and 2022, and the Cyprus Pavilion in 2019. He was artistic director of the 12th Cuenca Biennial in 2014 and the 34th São Paulo Biennial in 2021. He contributes to international magazines and publications dedicated to contemporary art, architecture and design. Since 2023, he has been the director of the Albuquerque Foundation, an institution founded in Sintra, Portugal, by the Brazilian entrepreneur and collector Renato de Albuquerque, together with his niece Mariana Teixeira de Carvalho, with the aim of valorising and sharing his extraordinary collection of Chinese export ceramics. We met to talk about this fascinating project that interweaves family history, collecting passion and contemporary art.

WHEN AND HOW WAS THE RENATO DE ALBUQUERQUE COLLECTION BORN?

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Renato de Albuquerque started collecting almost fifty years ago (he is now 97), at first timidly, then becoming increasingly fond of so-called export porcelain, which was commissioned in China by representatives of various European countries and which represents a fascinating mixture of different styles, cultures and beliefs.

WHAT GUIDED HIM IN HIS COLLECTING CHOICES? WHAT WERE HIS CRITERIA, HIS PASSIONS, HIS REFERENCES?

Renato is a great scholar and has had references, but it is his personal taste and knowledge that have shaped the collection, considered by many to be the most important of its kind in the world. Export porcelain blends economic and cultural, and often even religious or philosophical, issues in a very clear way, and it is this particularity that has fascinated him from the beginning. Hearing him recount the history and changes of ownership (from emperors, to princes, to wealthy entrepreneurs) of an object is a unique experience.

HOW IS THE COLLECTION CARRIED OUT? IS THERE A PRECISE CURATORIAL LINE? DO YOU YOURSELF PARTICIPATE IN THE SELECTION OF WORKS OR ARE THERE OTHER CURATORS?

I am in charge of the Foundation's contemporary programme and we do not collect contemporary artists. The collection is already very complete - it consists of over 2,600 pieces - but Renato is still very active and attentive, and continues to enrich it.

Piatto cinese del XVII secolo in porcellana decorata in blu cobalto e smalto rosso. © Albuquerque Foundation

WHAT ADVICE WOULD YOU GIVE TO THOSE WISHING TO APPROACH THE WORLD OF COLLECTIONS TODAY, MAYBE INSPIRED BY THE VISION WITH WHICH THIS COLLECTION WAS BORN?

It is important to study, to go and see exhibitions, to spend time with the works, to talk to the artists when you have the chance. Above all, don't be in a hurry: there are things that take time, and understanding art, in my opinion, is one of them.

EEMERGING ARTISTS TO KEEP AN EYE ON BEING KEEPING IN MIND AND ARTISTS WHO DESERVE TO BE DISCOVERED?

Two names related to ceramics: Phoebe Collings-James, a very interesting young emerging artist, and Carmen Dionyse, a historical figure to be rediscovered.

The ALBUQUERQUE FOUNDATION UNITS TWO GREAT PASSIONS: CERAMICS AND FAMILY HISTORY. WHAT IS THE VISION BEHIND THE CREATION OF THIS ART CENTRE?

The decisive impulse for the creation of a foundation came from Mariana Teixeira de Carvalho, Renato's granddaughter and co-founder. The main objective was to allow the public, both specialised and non-specialised, access to the world's largest private collection of Ming and Qing dynasty ceramics destined for export and, at the same time, to bring it into dialogue with contemporary production.

Da sinistra, Jacopo Crivelli Visconti, direttore della Fondazione, il fondatore Renato de Albuquerque e sua nipote Mariana Teixeira de Carvalho. @rodrigo-zorzi

TALK ABOUT THE FOUNDATION'S EXHIBITION PROGRAMME AND NEXT PROJECTS

The exhibitions of the collection will last on average one and a half years, and will always be curated by authoritative voices from the world of porcelain. The exhibitions in the contemporary programme, on the other hand, last on average three to four months: we opened with the first solo show in Portugal by Theaster Gates. At the end of September it will be Nina Beier's turn.

HOW MUCH ADVICE FOR A TRIP TO SINTRA: MUSEUMS NOT TO BE MISSED, RESTAURANTS, HOTELS AND SHOPS?

Sintra has no shortage of extraordinary castles, palaces and parks, including the Parque and Palácio Nacional da Pena and the Quinta da Regaleira, both not to be missed. For a gastronomic break, I recommend O Tavares, a simple but excellent fish restaurant a little outside the city. A ten-minute drive from the Foundation is Cascais, overlooking the coast: a charming place with excellent restaurants, shops and views that are well worth a stop.

ARTISTS

Nina Beier. Phoebe Collings-James. Carmen Dionyse. Theaster Gates.

VISIT

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