The programme

Director Francesco Lanzillotta

Directed by Manuel Renga

Busseto, Verdi Theatre

This is the section dedicated to the reverberations of Verdi's music on the present: under the title Ramificazioni it brings together the reflections in a poker of different proposals, which open with the Timon Études by Luca Francesconi, continuing with Ouverture by the composer Argentinian Fernando Strasnoy and 89 Seconds toMidnight by Maria Vincenza Cabizza included in the project Gradus in Scena by Reggio Parma Festival, to arrive in Disdemona

by Lenz Foundation.

Auditorium Paganini

Farnese Theatre

Lenz Theatre

It will be Misha Kiria as the new Sir John, the pot-bellied protagonist of Verdi's extreme masterpiece, mirrored in disenchantment and age, exactly eighty years since the title's debut at La Scala in 1893. Alongside the mighty Georgian baritone sing the quartet of the sprightly Windsor ladies, Roberta Mantegna, Caterina Piva, Teresa Iervolino and Giuliana Gianfaldoni, Alessandro Luongo's Ford and Dave Monaco's Fenton.
The successful performance by Jacopo Spirei is resumed. Great expectations for Michele Spotti's podium.

Director Michele Spotti

Directed by Jacopo Spirei

Theatre Regio

A Ariunbaatar Ganbaatar spetta il doppio ruolo centrale del padre

The celebrations on Verdi's birthday, anniversary number 212, conclude with an important Gala concert, where the third act respectively of Luisa Miller and Rigoletto, two works that are chronologically contiguous and thematically similar, will be performed.
Ariunbaatar Ganbaatar plays the dual central role of the father, while Paolo Carignani conducts the Filarmonica Toscanini, with Martino Faggiani indispensably preparing, here and in the other titles on the bill, the characteristic Teatro Regio Chorus.

Director Paolo Carignani

Theatre Regio

Il Direttore Robert Treviño

It is entrusted to Robert Treviño, one of the most authoritative American batons of the last generation, to conduct the Filarmonica Toscanini in the sacred score, composed by Verdi in 1874, after the death of Manzoni, and over time become one of the most performed compositions, exemplary

for the theatrical force of the Latin text, here delivered to a fine quartet of emerging and established voices, with Marta Torbidoni, Valentina Pernòzzoli, Galeano Salas and Michele Pertusi. Here too, the Regio Chorus, prepared by Faggiani, is fundamental.

Director Robert Treviño

Theatre Regio