Art

Theft at the MuMe in Messina: two panels by Antonello da Messina found on a low wall. Sgarbi: inadequate security

Following the theft of the panels from the polyptych, two works were found on the street. Vittorio Sgarbi has criticised the security measures and emphasised that it would be impossible to resell the stolen paintings.

La tavola a doppia faccia raffigurante la Madonna e il Cristo in Pietà di Antonello da Messina, conservata nella teca da cui è stata rubata la sera del 15 agosto al MuMe, il Museo Regionale di Messina. Messina. 16 agosto 2026. ANSA / ELISABETTA BARACCHI ANSA

2' min read

Translated by AI
Versione italiana

2' min read

Translated by AI
Versione italiana

The gang of thieves responsible for the sensational theft of Antonello da Messina’s paintings from the Accascina Regional Museum in the city on the Strait consisted of at least four people: two thieves broke in whilst the other two are believed to have waited outside.

They were all wearing full-face motorbike helmets and black T-shirts.

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The thieves left two of the five panels from the polyptych, which they had taken from the museum, on a low wall, and the paintings were spotted by a family who called 112 at around 9 pm (perhaps even earlier, ed.).

It was only after this report that the alarm was raised, even though the museum was staffed by the security guards on the 7.30 pm to 7.30 am shift.

Another couple from Messina also stopped, intrigued by the abandoned works, and took photographs of the priceless paintings leaning against the low wall that supports the tall railings surrounding the museum along Viale Annunziata.

Two of these bars, near the door through which the thieves are believed to have escaped, appear to have been widened, perhaps to allow a man to pass through.

Sgarbi: They weren’t professionals; they won’t be able to resell the works

“This theft was carried out by ignorant individuals, thieves who were unaware of the inestimable value of the works and who were convinced they could sell them on the market. They will not succeed, and I hope they will be recovered soon.”

This is what art critic and former Under-Secretary of State for Culture Vittorio Sgarbi had to say about the coup achieved at the MuMe in Messina, in an interview with *Il Messaggero* and *Qn*.

Speaking of the double-sided panel by Antonello da Messina, Sgarbi recalls that it was he “who attributed it to the Messina-born painter and persuaded the then Councillor for Culture of the Region of Sicily, Fabio Granata, to purchase it in 2003 at a Christie’s auction for 319,000 pounds, a sum that was actually lower than its true value”.

He argues that the stolen paintings may now be “at the thieves’ home, and it will be difficult for them to move them”.

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Could there be a mastermind behind the heist? “In my long experience,” explains Sgarbi, “I have never come across thefts carried out on commission; it is always a case of the perpetrators overestimating their own abilities and lacking experience in the field. People who are convinced that, once the heist is over, they will be able to carry out transactions that are, in reality, impossible.”

Do you think there were security breaches at the museum? “There’s no doubt about it, because if the system had worked properly, the thieves wouldn’t have got away,” concludes the critic.

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