Culture

The Museo del Cinema di Torino closes a record year and starts restyling

Visitors grow 12% over 2019, with revenues up 60% - Renovation worth 40 million, starting in the autumn with a 3 million operation

by Filomena Greco

3' min read

3' min read

For the Cinema Museum of Turin, 2023 was the best year ever in terms of number of admissions (755,000, 12% more than 2019) and 2024 promises, with almost half a million visitors in the first half of the year, to do even better. For the most iconic site in the City of Turin - second only to the Egyptian Museum and eighth cultural site in Italy - it is time to take stock and, above all, to plan for the future.

Reflecting on the numbers is the director, Domenico De Gaetano, whose term of office comes to an end next October, while pushing for the renewal of the museum's layout inside the Mole Antonelliana will have to be President Enzo Ghigo and the founding partners, the City of Turin, the Piedmont Region, Compagnia di San Paolo and Fondazione CRT, among others.

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Between 2019 and 2023, the Museo del Cinema, thanks to the increase in visitors and public initiatives, including exhibitions and festivals, saw its revenues rise by more than 60%, from 3.5 million to more than 5.5 million, guaranteeing a valuable contribution, just under a third, compared to the 18 million euro turnover of the facility.

24 years after its opening in 2000, however, the museum dedicated to the history of the cunema has to reinvent itself. The project for the new museum includes a restyling of the entire exhibition, says the director, "which will become more immersive, technological and inclusive. Above all, the intervention includes an update of all the installations, which were made before the opening of the museum'. The cost of the operation, which could take a total of five five years for works and new fittings, is estimated at around 40 million.

"We will proceed in batches so as not to close the Museum," explains the director, "starting with the Garden next to the Mole, currently closed to the public, which will become the entrance portal to the Museum with a ticket office, cafeteria and bookshop.

On this first lot the Ministry of Culture has already allocated the first 3 million, the rest is really all to be built. "By the end of the year, the timing of the first phase of the project will be announced," predicts the director, who identifies an important strong point of the Turin reality where one third of visitors are under 26. "This is certainly thanks to the exhibitions, dedicated to Tim Burton and Movie Icons, thanks to the masterclasses with international guests, from Damien Chazelle to Tim Roth, up to the new rooms in the Mole dedicated to 360° virtual reality (with visors) and video games.

On the one hand, therefore, a historical, archaeological museum, exhibiting objects that tell stories of the past, but on the other hand, the Museum of Cinema in Turin stands as a contemporary reality capable of 'musealising' innovations to make them accessible to a wide public.

Phase two of the museum's renovation project, which will in any case be carried out in a modular manner, without ever closing the museum to the public, includes the rethinking of the entire visitor route, with new multimedia installations, the installation of transparent touch screens, the modernisation of the conservation showcases, low-energy lighting, and the improvement of the air conditioning of the entire floor.

The project for the architectural redevelopment of the Museum, with the re-functioning of the Mole Antonelliana, envisages an extension of the exhibition area and 'represents a great opportunity for the definition of innovative exhibition parameters and for the international promotion of the city and the cinema'.

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