Media

TV, consumption stable and streaming less overwhelming than expected (but viewing on social is growing)

Presented the 2025 Yearbook of Italian Television and edited by Ce.R.T.A

by Andrea Biondi

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

TV does not give up. Or rather, it does not retreat much. In the last season, television consumption remained substantially stable compared to the previous year, in contrast to the liturgy that for years has been announcing the imminent end of the small screen. Suggesting that the decline is less rapid than expected is the 2025 Yearbook of Italian Television, presented at the Catholic University of Milan and edited by Massimo Scaglioni, professor of Media Economics and Marketing and director of Ce.R.T.A.

"Average consumption September 2024-May 2025 in total audience is 8,730,000 average viewers on the average day, a difference of just 100,000 viewers compared to the previous 12 months (-1.2%)," the study notes. An almost imperceptible drop, which would be more marked if we were to isolate traditional TV (-1.6%). But it is precisely that total audience - the fusion of linear and digital - that Italian broadcasters have learnt to handle with increasing ease, increasingly resembling 'streamcasters', that is holding back the decline.

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Not even prime time yields much: 19.6 million viewers, only 1.4% less than the previous season. And even extending the time horizon to the period from 1 January to 15 November 2025, the picture does not change: according to TechEdge's processing of Auditel data, the average viewing time is 3 hours and 17 minutes, practically unchanged despite a year poor in major sporting events.

Streaming: 45 minutes per day, 18.8% of the total

The big surprise is streaming. It grows, but slowly. The so-called 'unrecognised', i.e. the offer of the over the top such as Netflix or YouTube not recorded in detail by Auditel, advances only by 1.7%, stopping at 18.8% of the total consumption: 45 minutes per day, 1.8 million average audience. Platforms nibble minutes, not yet whole evenings.

Yet Italian homes are better equipped than a few years ago. Paolo Lugiato, Auditel's general director, recalls that 'Out of a pool of 43.9 million televisions there are 23.1 million smart TVs, and then 50.4 million smartphones, 19.9 million computers and 7.4 million tablets. 93 per cent of Italian households access the Internet, but only 65 per cent have broadband and 26 per cent access the net only via smartphones'. It is the paradox of a country full of screens but half-connected.

The cold shower for the 'digital-first'

The Yearbook thus certifies that the consumption of streaming and on-demand TV content is not taking off. Streams are up by only 2%, time spent by 12%. Modest numbers, when compared to the emphasis of the TV groups' digital-first strategies.

What is really growing is not streaming but social: short videos (or supposedly so) of TV origin fly from 11 billion views in the 2023-24 season to 18.5 billion in the 2024-25 season. But here too there is the trick: more than half of the views, and 92% of the time spent, are devoted to full content, the complete episodes uploaded online. So much for clips: audiences use digital platforms as a giant catch-up TV.

Angelini (Sensemakers): 'Little or nothing has changed'.

The coldness of the data is confirmed by Fabrizio Angelini, CEO of Sensemakers, who zeroes in on the rhetoric: 'Worldwide, media consumption time is flat. Of course, there is digital, the total audience: but in the last three years in Italy the consumption of five hours a day for digital TV has dropped by just five minutes. Three have gone to social media, two to the unrecognised. In short, little or nothing has changed'.

Who goes up and who goes down

The rankings of the most watched programmes confirm the impression. At the top of the top ten 2025, excluding sports events, there is still Sanremo: 12.1 million people and 66.8% share for the most watched evening of the year, then the great Rai1 dramas and the game show Affari tuoi. On the streaming front, on the other hand, the daytime productions of the generalist channels - from Uomini e Donne to Amici - lead the way, which on Mediaset Infinity and RaiPlay live a second digital life, grinding out minutes away from the traditional television set.

Meanwhile, the industry reorganises itself. At the top of the pyramid, the number of series is shrinking, but budgets are growing: titles such as "M - The Child of the Century", "The Leopard" or "L'amica geniale" are absorbing record investments, while at the bottom the universe of digital video entertainment is expanding, including YouTube, TikTok and various creators. On linear TV, the backbone remains the unscripted - almost 18,000 original hours per season between entertainment, factuals and game shows - and the 9,300 hours of news and specials that continue to attract audiences in crises.

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