Games

Twitter, twenty years of insights and failures: from the first 'service' tweet to the model's crisis

by Luca Tremolada

 (Adobe Stock)

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

The first tweet was not the most inspired. It is 21 March 2006 and the history of Twitter begins with a sentence that sounds like a system test: 'Just setting up my twttr'. Jack Dorsey wrote it. Behind the scenes, a 2000s start-up quartet: Noah Glass, Biz Stone, Evan Williams. "We wanted to capture that feeling," Dorsey confessed to The Observer years later. "The physical sensation of vibrating in your friend's pocket. It's like vibrating all over the world." A pocket vibration. A global vibration.

The Origins

Twenty years after that tweet, the history of Twitter - today's X - is a manual of digital economics written in strokes of genius intuition and industrial autogol. Twitter was born from the ashes of Odeo, the wrong project at the wrong time: podcasts before the iPhone. It fails. But from failures, in Silicon Valley, cognitive capital is extracted. Glass intuits, Dorsey designs, Williams finances. The result is a microblog, something new.

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Then something typical for platforms happened: users got their hands on it and invented something successful. The hashtag was not born in the company, but by Chris Messina in 2007. The hashtag becomes an index of the world. In 2014 it enters the Oxford Dictionary. Before that it entered geopolitics.

Only a few years pass and Twitter becomes a piazza. A distributed news agency. A global sensor. It chronicles the San Francisco earthquake, the 2009 Iran protest, the Arab Spring, the #MeToo. It is the place where the news happens as it is being written. A free information infrastructure built on top of a fragile business model.

The first failure

Here comes the first big failure: monetisation. Twitter grows, influences, but grosses little. In 2013, it quotes itself. It never finds the advertising formula of Meta Platforms. It never becomes a money-making machine. Too much conversation, too little profiling. Too much politics, few happy advertisers. Meanwhile it experiments, but experiments badly.

Here comes Vine: short, brilliant videos, closed in 2016. Today we would say: TikTok before TikTok. Then Periscope: live streaming, acquired and then shut down. Then Moments, Fleets: attempts to imitate other socials. Failed. Someone will remember the algorithmic timeline: introduced late, amid protests.

In 2016, 140 characters become 280. The 140-character limit: doubled in 2016. Necessary, but symbolically a surrender. Then comes the second act. Precise date: 27 October 2022. Elon Musk buys the platform for $44 billion. He enters with a sink in his hand: 'let that sink in'. It is already an unintentional metaphor.

And then came Musk...

Musk does three things in sequence. He cuts. Changes. Risk. Cut: half the employees, away trust & safety, less moderation. Change: goodbye Twitter, welcome X. Goodbye listed company. Goodbye old rules. Risks: WeChat-style 'everything app' model. Messages, payments, videos, all in.

What happens? Advertisers run away. The brand becomes diluted. Identity fractures between social network, media, political platform. And here enters the third axis: algorithms and power.

Donald Trump's readmission marks a symbolic turning point. Academic studies begin to measure the impact of the algorithm on opinion. The platform is no longer just a medium. It is an actor. Finally, artificial intelligence. Musk launches Grok. Integrated chatbot. Promise: to tell the truth. Problem: AI systems are not oracles, they are probabilistic mirrors. And indeed incidents, controversies, investigations arrive. Deepfakes, sensitive content, European regulators on alert.

Twitter, at twenty years old, is this: an invention that changed journalism without ever finding peace in the profit and loss account. A square that anticipated the world and then chased it. A product that created languages - hashtags, threads, virality - copied by all, monetised better by others. Today with X is a new chapter. In every sense.

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  • Luca Tremolada

    Luca TremoladaGiornalista

    Luogo: Milano via Monte Rosa 91

    Lingue parlate: Inglese, Francese

    Argomenti: Tecnologia, scienza, finanza, startup, dati

    Premi: Premio Gabriele Lanfredini sull’informazione; Premio giornalistico State Street, categoria "Innovation"; DStars 2019, categoria journalism

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