Mourning

Umberto Pizzi: farewell to the photographer of *Cafonal* and *La Dolce Vita*

He was the last of the ‘Dolce Vita’ paparazzi, a war correspondent and the secret eye on the world of politics and Rome’s high society salons

Addio a Umberto Pizzi - foto archivio  7146

2' min read

Translated by AI
Versione italiana

2' min read

Translated by AI
Versione italiana

A piece of the history of Italian film stardom and political voyeurism has passed away: Umberto Pizzi, the photographer behind *Cafonal* and *La Dolce Vita*, has died at the age of 88.

Born in Zagarolo (Rome) in 1937, he was not only the last of the ‘Dolce Vita’ paparazzi, but also a war correspondent and a secret observer of politics and Roman high society from the First to the Second Republic, as documented in Cafonal by Dagospia.

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He became a photojournalist in 1963 and worked for FAQ in Iraq, Iran, Turkey, Syria and Jordan.

In the 1960s, as a photojournalist, he worked with the international publications *Time*, *People Magazine* and *Sunday Express Magazine*, capturing the stars of ‘Hollywood on the Tiber’ – from Marcello Mastroianni to Vittorio Gassman, from Eduardo De Filippo to Roberto Rossellini, right through to Elizabeth Taylor, whom he photographed with her baby bump, and Richard Burton. It was the heyday of Via Veneto, of the grand hotels frequented by actors, directors and international celebrities.

Pizzi follows celebrities around with his camera and learns to capture images beyond the official pose, such as Woody Allen caught unawares with Mia Farrow in black and white. His approach was to avoid portraits and instead try to capture his subjects in a facial expression that revealed their personality or in a moment of difficulty.

Observing closely and waiting for that revealing moment – an expression, a gesture, an unexpected situation – becomes more important than the official portrait when working with him. Thanks to this ability of his, he has collaborated with Roberto D’Agostino’s website ‘Dagospia’ run by Roberto D’Agostino for Cafonal, and for over a decade he has been contributing to ‘Il Fatto Quotidiano’, producing the photo series in the daily newspaper and the monthly magazine ‘Millennium’, as well as the video column ‘Pizzi e Merletti’.

A trend had also emerged of having one’s photograph taken not by Pizzi but with Pizzi, as had been the case with Marcello Mastroianni, Sandro Pertini, Muhammad Ali, Gina Lollobrigida and many others besides.

Part of his photographic archive, comprising around 2 million photographs, can be viewed on his official website (umbertopizziphoto.com). His archive, considered to be of immense cultural and historical value, has been protected by the Ministry of Culture as part of the national heritage for several years. “Pizzi was a keen observer of over half a century of Italian life,” said La Russa, whilst Crosetto commented, “he had a unique perspective on the country.”

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