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Concerts, Live Nation condemned for monopoly: this is what happens now

Historic antitrust ruling that could revolutionise the industry, up to and including the group's obligation to divest Ticketmaster

by Francesco Prisco

Aggiornato il 17 aprile 2026, ore 18:04

Michael Rapino, amministratore delegato di Live Nation Entertainment, al tribunale di New York per il processo per monopolio REUTERS

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

In the end, the 34 states that didn't lose heart after the United States Department of Justice's turnaround came out on top: the Federal Court in Manhattan ruled that the concert giant Live Nation Entertainment and its subsidiary Ticketmaster had illegally monopolised the US live market.

The ruling, which came on Wednesday 15 April after five weeks of hearings, condemns the concert giant in a case destined to make history in Antitrust matters. According to the device drafted by the judges, specifically, 'Ticketmaster intentionally acquired or maintained monopoly power in the market for primary ticketing services for major concert venues through exclusionary conduct. Ticketmaster did the same in the market for primary ticketing services for major concert venues. Live Nation has intentionally acquired or maintained monopoly power in the market for primary ticketing services for major amphitheatres through exclusionary conduct'.

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Live Nation, according to the judge, unlawfully tied artists' promoting services to the use of its arenas (meaning that artists were required to use Live Nation's promoting services in order to perform at its venues). And in tallying the damages, the jury found that consumers were charged$1.72 more per ticket for major concerts at major venues in 22 states and the District of Columbia. The jury also found violations of state competition laws in California, Florida, Illinois, Indiana, Kansas, New York, South Carolina, Tennessee and Vermont.

It all started back in May 2024 when the Department of Justice of the then Biden administration sued Live Nation and Ticketmaster, with the attorneys general of dozens of states and the District of Columbia joining in. The trial, however, came in March of this year, under the Trump administration. And the music seemed different: Live Nation immediately reached an agreement with the Justice Department that allowed it to retain ownership of Ticketmaster. The agreement included a $280 million fund for states' claims for damages and a series of divestments on the venue front.

But 34 of the 40 states that had moved have decided to go straight to court. The judge presiding over the case, Arun Subramanian, will determine sanctions in a separate proceeding, which could include significant divestments by Live Nation or even the break-up of Live Nation and Ticketmaster.

Last year, the company organised 55,000 events and sold 646 million tickets worldwide, generating a turnover of 25.2 billion. And Ticketmaster sells about 10 times as many tickets as its closest rival, Aeg. This is not the first time that the platform has found itself at the centre of controversy and complaints. The most notorious case was the chaotic presale for Taylor Swift's Eras Tour, with hours of waiting, system errors and crazy prices, which the company attributed to a cyber attack. It was that episode that prompted the Biden administration and the US Congress to open a monopoly investigation into the two concert giants.

For the multinational live performance company, led by Michael Rapino, 'the jury's verdict is not the last word on the matter. It will be the pending appeals that will determine whether the decisions on liability and damages will be upheld. Live Nation will soon file a new motion for judgment as a matter of law, which the court has postponed until after the jury's verdict. This application addresses all the theories of liability. The Tribunal had previously noted that Live Nation's application raises significant issues'.

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