Protests

Venice Biennale, controversy over Russia's return. Kiev: 'They use culture for political influence'

But it is not only the Russians who end up in the critics' crosshairs: in Italia, the small number of Italian artists invited to the international kermesse is also starting to come as a surprise

by Rome Editorial Staff

2' min read

Translated by AI
Versione italiana

2' min read

Translated by AI
Versione italiana

The controversy over the invitation - the first since 2022 - to the Russian Federation to take part in the Venice Biennale continues. Which now extends, reaching as far as Ukraine with the stances of ministers.

The invitation to reconsider the decision

Ukraine's Foreign Minister Andriy Sybiga and Culture Minister Tetyana Berezhna intervened, calling for Russia to be excluded from the prestigious art event. "We call on the organisers to reconsider their decision" and to "maintain the principled stance demonstrated in 2022" when the Biennale had instead banned the participation of anyone with ties to the Russian government in protest against Moscow's invasion of Ukraine.

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Russia is scheduled to participate in the new edition from 9 May under the direction of Pietrangelo Buttafuoco, from whom Italy's Minister of Culture Alessandro Giuli recently distanced himself on behalf of the government.

"Russia uses culture as political influence"

"Since 2022, the Russian-led war has resulted in the deaths of 346 Ukrainian and foreign artists and 132 media professionals," Kiev recalled, also pointing out that Russia has damaged or destroyed thousands of cultural sites. "Russia also openly uses culture as an instrument of political influence," the Ukrainian representatives continued.

Few Italians

Around 40 Russian artists are expected to participate in the exhibition to be hosted in the Russian Pavilion for the 61st edition of the Biennale. But it is not only the Russians who end up in the critics' crosshairs: in Italia, the small number of Italian artists invited to the international kermesse is also starting to come as a surprise.

Among the 111 participants, including artists, collectives and organisations, selected by Koyo Kouoh, the now deceased curator, for the exhibition entitled In Minor Keys, the Italians are in fact practically absent. Except "catching up" on the pavilion front thanks to the Republic of Guinea, which entrusted the curatorship of its space to an Italian curator, Carlo Stragapede, who organised a group show of over sixty artists, most of them Italian.

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