Cinema

"El paraíso', a complicated mother-son relationship in a film that leaves no one indifferent

New releases include Enrico Maria Artale's feature film starring Edoardo Pesce

by Andrea Chimento

3' min read

3' min read

It was one of the surprises of the Orizzonti section of the Venice Film Festival 2023 and is now finally arriving in our cinemas: it is 'El paraíso', the second feature by Enrico Maria Artale, a director who made his debut in 2013 with 'The Third Time'.

The protagonist is Edoardo Pesce as Julio, a man in his late forties who still lives with his mother, a Colombian woman with a compelling personality.

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The two share practically everything: a small house on the river full of memories, the little money they earn working for a local drug dealer, their passion for salsa and merengue nights. An existence on the margins lived with love, at the same time symbiotic and oppressive, whose precarious equilibrium threatens to go into crisis with the arrival of Ines, a young Colombian woman, herself involved in the drug trafficking market.

"This film is a love story between a mother and a son, a colourful tragedy that plunges its heroes into the changing shades of their innermost moods, into delicacy and violence": with these words Enrico Maria Artale accompanied his work in Venice, focusing precisely on the complicated relationship between the two protagonists, torn between affection and suffering, complicity and jealousy.

The conflict will lead the son to an extreme choice, with the intention of going to his homeland for the first time, searching for the kind of 'lost paradise' his mother often told him about.

Artale signs a heartfelt and personal film, a sort of coming-of-age story of a 40-year-old man struggling to detach himself from a mother figure as protective as she is subjugating him.

“El paraíso” e gli altri film della settimana

Photogallery5 foto

Excellent actors

The strength of the incisive script underlying the film gives much to the successful writing of the two main characters, constructed in an intense and realistic manner, as well as enhanced by the excellent performances of Edoardo Pesce and Margarita Rosa de Francisco. It is no coincidence that the Colombian actress, born in 1965, won the Best Actress award in the Orizzonti section in Venice, but the film also deserved the Best Screenplay title.

It's just a pity that 'El Paraíso' wanes a little as the conclusion approaches and that it lacks any great directorial flourishes to remember: Artale's style is precise and devoid of obvious smears, but at the same time he doesn't risk much and doesn't leave many sequences in the viewer's mind that will stick in the mind after the end credits.

After 'The Third Half', however, the director's good hand in the script phase and a tangible talent that can still improve with future projects are confirmed.

Noir Casablanca

While this week's new releases include Yorgos Lanthimos' 'Kinds of Kindness', seen in competition at the Cannes Film Festival, a small surprise comes from a first feature: Kamal Lazraq's 'Noir Casablanca'.

Born in Casablanca in 1984, Lazraq came to feature films after directing a few short films and chose to tell the story of his hometown.

At the centre of the plot is Hassan, a small-time trafficker from the outskirts of Casablanca, in the service of the local clan chief. When he is given the assignment to kidnap a man, he involves his son Issam: at first everything seems to go right, but soon father and son find themselves trapped in a long nightmare night.

Awarded in the Un certain regard section of the Cannes Film Festival 2023, 'Noir Casablanca' (the original title is 'Les meutes') is a film that smacks of much that has already been seen in its narrative structure, but still manages to be vibrant and engaging thanks to the rhythm of its direction and editing.

Lazrag does not look like a beginner and his staging is undoubtedly mature, although it does not shine in terms of originality. The 94 minutes fly by quickly and one remains glued to the seat until the end of an imperfect but exciting product, thanks also to the fine choices of photography and an overall cast in excellent form.

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