Art, Territory and Development/2

Why the Foundations' decisive role is a tool for growth

3' min read

3' min read

The Addendum to the well-known 2015 Protocol between MEF and Acri is being finalised, with the adhesion of almost all the Foundations of banking origin governed, firstly, by the 1990 Amato Law and, then and even better, by the 1999 Ciampi Law, still in force and positively scrutinised by the Constitutional Court with the important 2003 ruling (24 September 2003, no. 300).

The new Addendum, to which the President of Acri, Giovanni Azzone, has dedicated himself, with the united support of the Foundations and with pragmatic sagacity, can be considered a sort of 'cutting edge' of the 2015 Protocol, which has held up well in recent years (and here we cannot fail to recall the essential contribution of Beppe Guzzetti at the time) and which needs some fine-tuning, both because of the changed financial and social context, and because of the experience lived through in this not short and complex period of time. Various food for thought come from the affair, which is very Italian, but at the same time (for once?) quite positive in various respects.

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Here we would like to point out just two.

The effectiveness of the system of soft law, constituted at the Agreement between state authority and active subjects in a sector as crucial as the financial - social - cultural one (the plurality is appropriate and not emphatic). More than authoritative and cogent interventions, but only suffered, shared, coexisting, elastic bodies of law are worthwhile: the state's public requirement remains but is tempered by private instances, inspired by real communities.

Generally speaking, the method has worked: Italian society can now count on a solid system of Foundations, which, it must be said, the result of positive and even negative banking histories in the 20th century, in the centre-north of the country constitutes a strong and deep network in the fabric of the territories.

Related to this is the second consideration.

In various non-metropolitan situations, so to speak, the role of ex-banking foundations is objectively essential. The writer can refer to Pavia and certain events of extraordinary socio-cultural importance, it should be noted, not only for the city.

In a few days, as part of the events marking the 500th anniversary of the momentous Battle of Pavia between the Spanish and the French, an exhibition-event will open in the rooms of the Castello Visconteo, right in the heart of the city centre, bringing together splendid, and also little-known to the general public, art objects from that period, from important museums and collections, which will accompany, although this term is not appropriate for their beauty, to the great Flemish tapestries of the 16th century that have their usual space in the Capodimonte Museum in Naples, but which, after a demanding restoration and a successful grand tour in the United States, are returning to Italy and, for the first time, are being exhibited all together, outside Naples, in rooms set up ad hoc in the elegant Pavia manor house.

In addition to Milan and Pavia, from important foreign institutions such as the Victoria & Albert Museum in London, from Windsor and Geneva, to peripheral but significant Italian churches such as Gambolò and Moncalvo...

The exhibition will provide a truly extraordinary opportunity for beauty, memory and cultural values in the broadest sense, for a hopefully widespread appreciation, particularly among the younger generations, of the variety of artistic expressions and their historical significance.

Now, all this could not have been achieved without the Fondazione Monte di Lombardia, which is based in Pavia, although it operates with equal intensity in Milan and also in the rest of the region. In fact, the Foundation has not limited itself to economic support, although not negligible, indeed the most conspicuous, but has believed in the exhibition, making its relational skills and professional resources available. Now, it is not only Pavia that will benefit in terms of image, culture and significance, but, if I may say so, the whole of Italy. And this is what also happened, in recent days, with the participation of I Solisti di Pavia in the Dante readings at the Italian pavilion at the Expo in Osaka. The Ensemble, an instrumental body of the Fondazione Monte di Lombardia, was greatly admired in that distant country, as a worthy expression of our culture and ability to transmit it.

The Foundations of banking origin, therefore, far from being outdated and crude clichés, are increasingly constituting, well understood in their autonomy as private entities, a tangible and intangible heritage of Italian society and an operational model for the entire, and increasingly important, Third Sector, also in its economic implications.

President Monte di Lombardia Foundation

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