Astronomy

With my nose turned skywards, amongst the stars and myths

Giulio Guidorizzi takes us on a journey through the night sky, which the Mesopotamians first began to study and which the Greeks brought to life with heroes and gods

Baldassarre Peruzzi, La ninfa Callisto sul carro di Zeus, soffitto della sala di Galatea (1511-1512), Roma, Villa Farnesinacredito.Photo © Raffaello Bencini/Bridgeman Images

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

Heroes and gods race across the sky; fish and scorpions chase one another: this is the sky the Greeks saw, and which we too admire, as heirs to their celestial map. It is true that light pollution makes the spectacle of the night sky, with its veil of stars, a truly rare sight; yet when it is visible, the sense of wonder is primal. And it is no different from 2,500 years ago; this is why Giulio Guidorizzi’s book on The Myths of the Stars takes us back to an era that is distant, yet so close. So immensely our own. It was the Mesopotamians who first studied the night sky, then came the Greeks to bring some order to it and give the stars their names – which is truly a way of gauging the immeasurable – and Professor Guidorizzi admits to feeling a particular fascination for mythology, much like Aristotle: ‘The older I get, the more I fall in love with myths’ (fr. 668, Rose).

Northwards

Our sky is marked by mythology, and one need only look up to find gods, heroes and heroines. The Great Bear, for example, is made up of seven stars, more visible than ever, which the Greeks used as a compass pointing north: the Romans also called them ‘the seven oxen’, septem triones (from which our word ‘north’ derives). The Great Bear is up there, so high by the will of Zeus who, having defeated Cronus and seized power, chose to thank the guardians – two bears, in fact – who had protected him as a child.

Loading...

There are many such stories, some dating back even before the Greeks, such as that of King Lycaon, who fathered fifty cruel and savage sons by various women, but also had a daughter who was different, Callisto, meaning ‘the most beautiful’, who joined the huntresses in Artemis’s retinue and was transformed into a bear when Artemis herself realised that Callisto was pregnant by Zeus, who had seduced her by ‘disguising himself’ as Artemis herself.

Romantic stars

Among the most ‘romantic’ constellations are the Pleiades, the seven sisters of the sky (one of whom is barely visible), described as follows by the Arab poet Ibn Hamdis (11th century): ‘Often at night I gaze at the stars, which look like / lit fuses or flashing spires. / I see the Pleiades rising, and they look like a string of seven / pearls from which you have made a necklace’.

Well before the 11th century, people were captivated by those seven sisters: in the Lascaux cave, in the Hall of the Bulls (around 17,000 years ago), the figure of a bison with its head raised can be seen, and above it are six dots arranged in a circle, which are interpreted precisely as stars, perhaps in connection with bison hunting. What is certain, however, is that the stars were indeed those engraved by an artist around 2000 BC on the Nebra Sky Disc, discovered whilst excavating a cavity in the Mittelberg mountain, near Nebra, in Germany.

On board the Argo

There are countless stories, more than the stars and the myths that surround them. There is ‘Orion’s Belt’, three bright stars, known in the Middle Ages as ‘the Three Wise Men’, but already recognised in Mesopotamian astronomy, from which its name derives. It was known as “Uru-anna” and depicted the hero Gilgamesh battling the celestial bull. Let us climb aboard Argo, the heroes’ ship, the largest constellation, or immerse ourselves in the story of Hydra, the largest constellation but also the least visible: ‘It stretches out,’ wrote Aratus, ‘like an animal, its head reaching as far as Cancer, its coil winding beneath the body of Leo, and its tail suspended over Centaurus.’

High in the sky, near Virgo, in the spring sky, a small constellation of faint stars shines. The first to identify it was the astronomer and mathematician Conon of Samos, who, in the mid-3rd century BC, named it ‘Berenice’s Hair’ in honour of Queen Berenice, wife of Ptolemy III, King of Egypt.

The Signs of the Zodiac

Guidorizzi then describes the signs of the zodiac, from Aries to Aquarius, in great detail, concluding with the Milky Way (or Galaxy, from *gála*, meaning ‘milk’), the infinite swarm of lights that illuminates the black expanse of the Universe. That whiteness is the divine milk that spurted from the breast of Hera: when Zeus’s wife discovered that the newborn at her breast was Hermes, son of Maia, she pushed him away from her, and thus the Galaxy came into being.

In Pythagoras’s view, that stardust was the abode of souls released from the body, and Cicero concludes his *Republic* with the Milky Way: Scipio Aemilianus is in his tent, beneath the walls of Carthage, which he is about to conquer, and in a dream (this is the Somnium Scipionis) he seems to encounter his ancestor Scipio Africanus and his biological father Paulus Aemilius, who come to meet him amidst the lights of the Milky Way: ‘The expanse of the stars far exceeded the size of the Earth. Indeed, the Earth seemed so small to me that I almost felt pity for our empire, which, one might say, occupies but a single point upon it.”

Giulio Guidorizzi, The Myths of the Stars, Raffaello Cortina, 292 pages, €24

Copyright reserved ©
Loading...
Loading...

Brand connect

Loading...

Newsletter

Notizie e approfondimenti sugli avvenimenti politici, economici e finanziari.

Iscriviti