The homage

With the 'Giardini Poët' Milan remembers the first Italian lawyer

Between Via Chiossetto and Largo Marco Biagi, in the shadow of the Palace of Justice, the city pays homage to Lidia Poët, pioneer of women's emancipation and voice of minorities

by Camilla Curcio

4' min read

4' min read

Milan celebrates Lidia Poët with a garden a few steps away from the Court, in the small square in Via San Pietro in Gessate. A symbolic gesture to remember a character who, in the struggle for women's emancipation, made a difference. And history.

The Story of Lidia Poët

One of the first female law graduates in Italy and the first woman to enter the Bar, Poët dedicated her life to countering the stereotypes that kept girls away from the courts and public life. Because they were too emotional to handle a profession that required coldness. Or because they were ill-suited, due to the customs of the time, to untangling themselves 'in the forensic gymnasium and the clamour of public judgments'.

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Prejudices with which she has come up against herself. A degree with honours, a brilliant apprenticeship and a qualifying examination passed without difficulty were not enough to stop her detractors. First and foremost, the Attorney General of the Turin Court of Appeal who, having challenged the young lawyer's registration with the bar association, is clamouring for it to be annulled. In fact, according to the Court of Cassation, Poët cannot take part in debates or sign court documents because, according to the law, advocacy remains the exclusive prerogative of men.

The news inflamed cultural circles, ignited the debate in the newspapers and, above all, encouraged Poët not to hang up her gown: at the forefront of international penitentiary congresses and one of the leading figures of the National Council of Italian Women - which she had joined since its foundation in 1903 -, she collaborated with her brother's law firm and became the voice, even outside Italy, of the battles for the rights of the last. She calls for universal suffrage, the liberalisation of divorce, equality between legitimate and natural children and more protection for minors and prisoners, convinced that rehabilitation must pass through education and work, rather than punitive strategies.

After the First World War came the turning point. With the Sacchi Law, in 1919 women were finally able to enter public office (except for the judiciary and politics) and, at the dawn of her 65th birthday, Lidia Poët crossed the finish line, officially becoming the country's first female lawyer. Working in the sunlight and demonstrating that gender equality, although far away, was not so unattainable. Until now: in recent years, the rediscovery of her character through books, conferences and publications has given her new life. And the Netflix series The Law of Lidia Poët, with its record-breaking numbers, has turned her into a pop icon, making her known to the younger generation as well.

The memory of a pioneer, between toponymy and inclusiveness

'Today we pay tribute to an extraordinary figure, who left an indelible mark on the history of justice in our country'. This was how Tommaso Sacchi, Councillor for Culture of the Municipality of Milan, began the ceremony on Friday 23 February. It was an opportunity to emphasise how tributes such as these serve to restore lustre to female figures unjustly condemned to the faded memory of an anniversary or to pages hidden on the shelves of dusty archives and to reaffirm the city's commitment to welcoming gender diversity. Even starting with toponymy.

A commitment fully supported by Mattia Abdu Ismahil, president of Municipality 1, who emphasised that the work on the naming of streets and squares to shorten the gender gap is also a 'valuable work of rediscovery of personalities and areas'. A true choral mission that, in recent years, has involved the administration, the court, the city's professional association and schools.

A symbol for modern advocacy

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Time has passed, many steps forward, many more to grind, but the name of Lidia Poët continues to resound in the corridors of the Palace of Justice. "For the national legal profession, it is a source of pride to name this garden after Lidia Poët," said the president of the Milan Bar Antonino La Lumia. "We are making a broad, participatory cultural journey, shared with the equal opportunities committees that are working hard, but we must never forget where we started from. All the difficulties and the example they have given us. The good fortune of having, today, a square right in front of the court allows us to take an ideal, value-based, spiritual path towards an idea of equality and equal dignity for all, citizens and women'.

"Dare to be"

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Also confirming the extreme topicality of a pioneer who did not allow herself to be intimidated by discrimination were the words of actress Lella Costa, who insisted on how valuing female talent and fighting for women's rights should not be done 'for a matter of corporatism but for the good of humanity', always keeping the focus on the battles of yesterday and today because no conquest is forever. And the anecdotes of her great-granddaughter, lawyer Daniela Trezzi, who remembered her with the tenderness of family memories and the strength of an expression Lidia herself had used at the end of a conference on the condition of women in the world: 'Dare to be'.

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