Media

Audiovisual, market +11% Sector waiting for tax credit

The Apa Report presented at Mia: production value at over 2 billion. Four ministerial decrees published by the Mic: tax credit towards release

by Andrea Biondi

3' min read

3' min read

A growing sector, with production value up by more than 11% (average annual growth at 11.6% as of 2017) to 2 billion at the end of 2023, but which still needs to take a few more steps in terms of international competitiveness, not least because of complex bureaucratic procedures to access funds and a tax credit that is of enormous importance for companies.

The sixth Report on national audiovisual production published by Apa (Association of Audiovisual Producers) offers a detailed look at the sector's performance. The Report, which Il Sole 24 Ore is able to preview, will be presented today during the second day of the Mia (International Audiovisual Exhibition): the event that brings together in Rome until 18 October the most important operators in the international audiovisual industry, now in its tenth edition, directed by Gaia Tridente and promoted by Anica and Apa.

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'For operators in the sector, competition is becoming increasingly fierce, and for this there is a need for certainty and support from successive governments,' commented Anica president Francesco Rutelli.

In this context, good news arrived yesterday from the Mic. The Cinema Directorate published four directorial decrees that, in a nutshell, pave the way for the operational start of the new tax credit, revised after more than a year of work by the offices. Two more director's decrees are missing, but by the end of the week the circle should be closed, leading to the opening of the windows, so eagerly awaited by companies in the sector. "The release of the tax credit and the opening of the windows,' Apa president Chiara Sbarigia told Il Sole 24 Ore, 'will allow production companies to manage the situation. All functional "to maintaining the growth path of recent years also noted by the Report, while being aware of a changing market that offers great opportunities, but also great challenges".

The numbers of the Report - for the drafting of which Apa availed itself of eMedia; Certa; Symbola; O&O and Geca Italia - indicate a growth in production - and also in revenues for the entire audiovisual sector, to 11.6 billion (+5%) - possible thanks to the increase in content for cinema, TV and streaming platforms (Vod), with a particular increase in films for cinemas, which recorded a 21% increase compared to 2022 (a figure that also signals the post-Covid rebound). Television, however, remains the most important channel for the audiovisual industry, accounting for 71% of total market revenues in 2023, or EUR 8.2 billion. At the same time, there is also growth in the paid video-on-demand sector, which reached a value of EUR 1.1 billion.

Within this framework, it must be said, the tax incentive system is one of the main drivers of growth. The Report shows how tax credit supported around 40% of domestic productions in 2022. However, it also highlights how others have done even more: the United Kingdom, with its broader incentive system, supported three times as many projects as Italy in 2022, with an investment of 1.6 billion against Italy's 768 million. At the same time, it is pointed out that in Italy, the number of productions supported by the tax credit is lower than in countries such as France and the United Kingdom: 203 Italian stocks benefited from these incentives, compared to 635 British and 784 French ones. The funding ceiling also emerges as lower: in Italy the limit is 9 million per project, while in France it can reach 30 million, and in the UK there is no ceiling.

Different numbers, but also different market sizes. What is certain is that there is a challenge of international competitiveness on which Italy has to engage. Bureaucracy, inconstant window times do not help. In the UK, for example, there are automatisms that make it possible to lighten the process, while in Italy one has to reckon with personnel that, it has been said in many quarters, is reduced compared to needs. On the other hand, there is a demand for original content that shows no sign of diminishing. A thrust that the sector aims to preserve.

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