Cinema

'Bild': Berlinale director Tuttel to be replaced

The American at the centre of controversy for what happened during the award ceremony. But festivals are always a political venue

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

It was in the air. The 'Sole 24 Ore' had already written about it Sunday in the cultural supplement. The chair of the Berlinale director, the American Tricia Tuttle, in her second term, was creaking. It was foreseeable already for the not-so-high name of the big German festival, but the all-political confirmation came from the 'Bild', citing sources close to the federal company that organises the festival. According to the rumours, the Minister of State for Culture, Wolfram Weimer, has called an extraordinary meeting of the governing bodies of the Kulturveranstaltungen des Bundes in Berlin (Kbb), - the organisation in charge of the Berlinale - for tomorrow, with the possible revocation of the appointment at the helm of the festival on the agenda.

The crux of the controversy

At the centre of the controversy would have been the rejections and controversy raised during Saturday night's Golden Bear award ceremony. Last year there was a big uproar over the pro-Palestinian statements of some guests at the award ceremony, which were unwelcome by the German government, which has a different sensitivity on the issue for historical reasons. Thus, when this year Wim Wenders, president of the jury, asked for cinema and not politics, Arundathy Roy cancelled his participation. Kaouther ben Hania, director of The Voice of Hind Rajab, refused the Cinema for Peace award, while over 90 authors, including Ken Loach, Tilda Swinton and Javier Bardem, signed a letter addressed to the organisation against the silence imposed on Gaza.

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Despite the reckless somersaults of the presenter, Luxembourgian actress Désirée Nosbusch, and Tuttle to never touch the 'Gaza issue', when Palestinian Abdallah Alkhatib with Chronicles of siege took the stage to accept the award for his film, he accused the German government of standing by Israel, promising to remember those who 'have been with us and against us'. Some cries against Hamas came from the audience. The episode triggered accusations of anti-Semitism and a heated political debate. Further controversy arose over photographs taken in the preceding days, in which Tuttle had posed with the film crew with Palestinian symbols.

Even Lebanese director Marie-Rose Osta turned down the Golden Bear for the best short film Someday a Child, since her film was about an 11-year-old boy who experiments with magical powers to overcome the evils of war.

New beginning

According to 'Bild', the case contributed to the decision to start a 'new beginning' for the festival. Weimer, ahead of the meeting, stated that the Berlinale "is not a place for hatred, threats and anti-Semitism" and that manifestations of hostility towards Israel cannot find a place in a publicly funded event.

The German government would not comment on the rumours about Tuttle's possible replacement, but confirmed the extraordinary meeting on the future of the Berlinale. Nor is anything known about the names of the possible replacements.

Cinema is always political

The truth is that Tuttle's programming was not up to the standard of the great festival that has always been the Berlinale, as the 'Sole 24 Ore' wrote. The director showed that she did not have the purchasing power to compete for the best films with Cannes and Venice.

And he has shown that he does not have the ability to handle the controversies that inevitably arise during film festivals, which are a test of art, but also of politics: they must be handled with care also because, amidst the glitter and polemics, they explain urgencies and photograph needs. Festivals have always been the places where society makes itself heard. It is useless to ask (or beg, even worse, as Wenders and Tuttle did) not to do so, leaving the films to do the talking. Wenders, who is a great political filmmaker, was wrong to lend himself to the German government. Wrong for the German government to ask to leave the controversy out. If the latter decides that Tuttle should be removed, it should only do so by judging whether or not he did a good festival. Festivals are like squares, they must be free to express dissent while respecting the ideas of others and the law, because thanks to the stars all the spotlights are on that catwalk: it is impossible not to take advantage of them. Just as violence is not allowed, censorship is not allowed.

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