Sparkling wines at the fair

Champagne: the market stabilises following a slowdown. Champagne houses and distributors are confident of a recovery

Market review according to industry representatives gathered in Bologna for the Champagne Experience: Italia remains one of the most robust markets, according to the Comité Champagne

 (Adobe Stock)

6' min read

Translated by AI
Versione italiana

6' min read

Translated by AI
Versione italiana

Following a 2025 slump, the third consecutive year of falling shipments (following the record of 326 million bottles in 2022, shipments stood at 266 million in 2025), figures released by the Comité Champagne indicate a slight turnaround in the first half of 2026, with a 1.2 per cent increase compared with the same period the previous year (107.1 million bottles at the end of June) and exports up by 3.8 per cent. Against this backdrop, the figures for Italia are not yet available, but the hope for France’s most famous sparkling wine is that the market will stabilise, following a 7 per cent decline in 2025.

In the long term, the balance remains positive

“The Italian Champagne market,” says Domenico Avolio, director of the Bureau du Champagne Italia, “has solid foundations. Over the past ten years, our country has seen an increase of 1.4 million bottles, rising from 6.4 to 7.8 million bottles. On average, this represents 2 per cent growth each year.” Viewed over the decade as a whole, the current volume therefore remains higher than the starting point, despite the “painful” decline of recent years. And consumer preference seems to be shifting towards extra-brut and pas dosé. “Just think that Italia alone accounts for around 32 per cent of shipments of low-dosage Champagne destined for the EU,” notes Avolio. Pending the results of a harvest which – despite the negative consequences that the intense heat might have brought – is being heralded from across the Alps as being of the very highest quality.

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In Bologna, market participants are confident of a recovery

Whilst the Comité Champagne is keeping its fingers crossed as it awaits the figures, signs of cautious optimism are coming from the players who bring the appellation to Italian shelves every day. “Champagne in Italia is doing better than one might think,” reports Leonardo Sagna (Sagna Spa), who has been confirmed on the new board of directors of Excellence Sidi, which has seen Guido Folonari (Philarmonica Srl) take the helm.

Another indicator of the market’s vibrancy is the significant number of producers – 125 houses taking part – participating in the ninth edition of Champagne Experience (organised by Excellence), Europe’s leading event entirely dedicated to the appellation, which returns on 4 and 5 October at BolognaFiere. Speaking with colleagues, Sagna notes “a positive trend, albeit a very cautious one, as it is extremely difficult to make predictions. The decisive factor remains the final stretch of the year: all it takes is a poor October or November to undo all the progress made throughout the year”.

“There’s a lot of talk about a slump in consumption,” says the distributor, “but the figures show an increase in champagne consumption this year. Following the post-Covid boom and the subsequent downturn, we’ve seen a sort of normalisation of the market, and we’ve probably passed the lowest point of the curve, with consumption now on the rise again.” A similar trend is evident for both maisons and récoltants. On the other hand – as Sagna points out – in 2024, Italia was the country with the highest number of imported Champagne producers (831, down to 824 in 2025), due to its proximity, logistics and ‘a strong culture and curiosity within the market’.

In fact, looking at his own business, Sagna makes no secret of the challenges posed by a year of ups and downs. “The first quarter, up 8 per cent,” he explains, “saw that lead eroded in the second quarter, followed by a positive third quarter with a good July and an August that exceeded forecasts. By mid-September, excluding a house added this year, growth for Roederer alone stood at 5 per cent. And whilst the off-trade is up by 4 per cent, the on-trade stands out with an 8 per cent increase. “Champagne drinkers have cut back on their consumption, but rather than staying at home, they’re enjoying it out and about, in restaurants, spending time with friends. They’re more discerning consumers, increasingly knowledgeable, and this is positive because it means more and more high-quality products will be coming onto the market.”

Big brands hold their ground, the mid-range segment grows

There has also been slight growth for Ca’ di Rajo Group, although the market has been heavily concentrated in the final months of the year, whilst ‘stability’ is the key word for the Meregalli Group, a ‘giant’ with a turnover of around 100 million euros. In the first eight months of 2026, “turnover is in line with that of 2025,” confirms the managing director Corrado Mapelli – “and Champagne’s share of sales is identical, with a very stable average price, thanks in part to initiatives that have encouraged by-the-glass sales and stock turnover”. This stability applies to the maisons, Bollinger leading the way, “because consumer confidence in historic and well-established brands helps in a cautious market”, but also to the récoltants. Mapelli emphasises that this is not the time for new discoveries or innovations, “I certainly wouldn’t suggest to any of the maisons we work with that they launch new projects at this stage”.

Along the same lines, Andrea Girardi of Proposta Vini (turnover of 28 million in 2025) confirms that the brands in the portfolio are holding up well. “Restaurants’ wine lists are getting shorter,” he says, “and the number of Champagne options is also being reduced. So the slightly better-known labels are holding their own, but at the same time, people are opting for products that offer good value for money.”

The distributor Sarzi Amadè has reported very positive figures for the first eight months. “Champagne accounts for 5 per cent of our turnover (around 12.5 million in 2025, ed.) – explains Alessandro Sarzi Amadè – and we have seen a rise in sales in line with the general trend, so around 12 per cent in terms of turnover and number of bottles”. However, a breakdown by product line shows that growth has been concentrated in the lower-to-mid-range of the catalogue: “The trend towards spending less has probably driven demand towards slightly less expensive Champagnes,” observes Sarzi Amadè, given that Italian consumers have historically favoured top-of-the-range cuvées and vintage Champagnes.

Key words: quality and resilience

For Compagnia del Vino, the benchmark is Pol Roger. “If we manage to maintain this trend,” says Roberta Cenci, “we expect 10 per cent growth by value and 8 per cent by volume. Growth in value exceeding that in volume is what distinguishes quality growth. Far from the superbrands – mainly due to size constraints – we are now in the segment immediately below, where 5–7 brands compete, and Pol Roger has firmly established itself in this segment.”
The trajectory described by Cenci is common to many distributors. “By 2026, we’re seeing a slight recovery,” she explains, “even though we’re not regaining the volumes we’ve lost, we’re starting again from a solid foundation.”

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Similarly, Elemento Indigeno, a project by Compagnia dei Caraibi, paints a picture of 2026 characterised by a quest for ‘resilience’. ‘The major brands and the low-cost segment, where the bulk of sales is concentrated – the group explains – are offsetting the decline with ongoing promotions that affect the perceived price, whilst the hospitality and catering sectors are still showing tentative growth and interest in smaller brands, which represent an attractive segment for consumers but a more marginal one for the category’.

Not everyone interprets the channel in the same way. Alberto Massucco has recorded, over the last two years as a result of Covid, steady growth in sales to private customers and a decline in the hospitality sector (i.e. restaurants, ed.), linked to costs and the ‘fear instilled by the Highway Code’. Consumption is thus shifting towards the home, although Massucco notes that ‘the price lists of Champagne houses and vignerons have not fallen, but restaurants have moderated their mark-ups. It was about time they did so, not least because it allows Champagne lovers to drink less, but better. And those who are passionate about it, including young people, choose quality’.

The new wave

The most striking example of a counter-trend is that of Velier. Up until mid-September, Billecart-Salmon recorded a +42 per cent increase in Italia, following a negative performance in 2025. The reasons? On the one hand, a strong commercial drive – as reported by the company’s Giacomo Bombana – “on the other, the house has adapted its style, reducing the dosage to create a drier wine more in line with contemporary tastes”. Velier’s ‘flagship’ house is taking part in Champagne Experience for the first time this year, but the Genoa-based company’s story also extends to its ‘natural’ Triple A. It is precisely on this front that the company has chosen to expand, pairing Domaine Augustin with three small vignerons: Insu, Champagne Ecume and Vouette & Sorbée. “This involves meticulous work on very small volumes, often managed on an allocation basis,” explains Bombana, “so the few bottles produced are easily snapped up by wine bars that appreciate this style.”

Indeed, the quintessential French champagnes continue to attract attention. In recent weeks, there has been the announcement of the acquisition of Hoxxo Champagne by the Swiss group Gabriel & Spirits (turnover of 44 million) and the integration of Maison Odyssée into the distribution network of the Marilisa Allegrini Group, thereby re-establishing a link with France.
“Entering the Champagne region, starting from Avize and the Côte des Blancs, represents an important step for us: not merely an expansion of our range, but the beginning of a new journey of discovery. It is precisely this curiosity, together with our constant pursuit of excellence, that allows us to continue to evolve whilst also highlighting the stories we choose to bring to Italia,” explains Marilisa Allegrini.

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