Masterchef judge

Chef Giorgio Locatelli after touring the world is now thinking of a return to (southern) Italy

At the start of the new Masterchef season, the celebrity chef recounts his long adventure abroad, always accompanied by the desire to never really leave his country

Giorgio Locatelli nel suo ristorante di Cipro nell’hotel Amara

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

Chef Locatelli speaks of Italy as a thought that returns, that persists, that has never really left him. After 23 years in London, after the Bahamas and Cyprus, after the challenge of the National Gallery, after the years as judge of Masterchef (which returns today 11 December on Sky) he now says with a new clarity: 'I would like to open in Southern Italy. That is where I want to return, my wife loves the warmth of the people and the less hectic life. I want to open a project of my own'.

It is a statement that is only half surprising. Because Giorgio Locatelli, when he retraces his life, recounts it as a journey that starts in Italy, moves away from it and then finds it again everywhere: in the tomatoes that are impossible to find in the Caribbean, in the burrata that disappears in Cyprus in an instant, no time to replace it, in the boys in Camden Town who learn to cook spaghetti with tomato sauce. Italy has always been the compass, even when it seemed far away.

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In Cyprus, where he landed seven years ago, inside the Amara hotel, Locatelli says he has found 'a happy island', a surprising place in terms of multiculturalism, light, possibilities. Limassol entered him almost without him noticing: a new coastline, a changing city, an international and curious clientele, a restaurant that over the years has become a staple of the local gastronomic scene. "But what really interests me," he explains, "is bringing Italy into this reality. He is in fact working on a new menu, a gastronomic bridge between southern Italy and the eastern Mediterranean, a way to tellthe Italian identity through Cypriot vegetables, cheeses, wines and flavours, which he finds very similar to those he yearns for, wherever he is.

Masterchef torna con i giudici Barbieri, Cannavacciuolo e Locatelli

"Quality dictates everything," he reiterates. It is a rule he also learnt in the Bahamas, where cooking means negotiating every day with what really comes. "You miss the tomato, you miss the fish you thought you were going to use. Then you adapt. You can't impose a menu on the environment. You have to listen to it. It's a very Italian lesson, after all: the territory decides, and new contaminations are created, Italy wins and is told even if it has to reinvent itself'.

Yet, despite these extraordinary experiences, it is from Italy that his new energy seems to come. When he speaks of the South, he lights up. He doesn't mention a city, he doesn't want to tie himself to a name; he prefers to imagine a place made of brighter light, of true seasonality, of a public that knows how to recognise Italian cuisine not as a cliché, but as everyday truth. In Italy,' he says, 'he would find a different rhythm, more natural, more instinctive.

Giorgio Locatelli alla National gallery di Londra

At the National Gallery he has agreed to make popular, affordable cuisine for a place that does not seek luxury but democratic quality. 'I don't like tasting menus,' he says, 'I prefer everyone to choose. The dish must excite you, it must become yours. You can't cook with technique alone. You need heart'.

This 'heart' comes back again and again as he recounts his Italy: the Italy of recipes that do not betray, the Italy of products respected without becoming nationalist flags, the Italy that opens up to other cultures without fear. "I don't want only Italians in the kitchen. That would be ridiculous. Italy becomes greater when it lets itself be contaminated. There is no closed kitchen that survives'.

And then there is the subject of training. Locatelli is an academician at the Royal Academy of Culinary Art and attends a school in Camden Town where, in class, there are children from fifteen countries. The lesson on pasta thus becomes a little political act: spaghetti and tomato travelling, relocating, telling Italy with simplicity and without defences. 'It is a way to do Italy and Made in Italy good,' he says. 'If they understand our cuisine as children, they understand it forever. And so pasta becomes a common language. 'And isn't it wonderful to wonder how such a transportable dish, so easy to replicate, can become a Made in Italy flag in the world? And do you realise that every time we talk about pasta, we are telling not just a recipe, but a story about family, territory, manual skills, and respect for ingredients? And if every child here, in front of me, cooked these spaghetti and shared them with a classmate from another culture, wouldn't we be building a little piece of Italy inside their memory? What could be more powerful, educational, inclusive and deeply Italian than teaching children to cook a dish that speaks for itself, that can be taken anywhere, that unites and does not divide, and that tells the world that Made in Italy is not just a brand, but a way of life?"

The future, however, always returns there: to the Mediterranean. Singapore is a concrete opportunity, New Zealand an unexplored dream, but it is southern Italy that calls to him. "I would like to have more holidays, we decided on twelve weeks and took one. In the South I could at least hear the sea more often,' he jokes.

Then he gets serious: 'Italy is my root. Everything I have learned in the world, from the discipline of London to the chaos of the Bahamas, from the multiculturalism of Cyprus to the history of the National Gallery, I would like to take it back there. Not to go back, but to go forward. Because Italian cuisine lives when it is reborn'.
It is in this sentence that one understands why Locatelli, after having really cooked everywhere, now wants to return to where it all began. Not to close a circle, but to open another.

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