Weekend films

'A Bright Girl', an adolescent portrait with a mixed outcome

New releases include Agathe Riedinger's debut and Andrea Di Stefano's 'Il maestro' with Pierfrancesco Favino

by Andrea Chimento

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

A short film turned into a debut feature film: this is the path taken by 'A Bright Girl', the debut feature by Agathe Riedinger, a French director who developed this project on the basis of her 2018 short film 'J'attends Jupiter'.

Of that 23-minute film, Riedinger retains the narrative structure, centred on Liane, a 19-year-old girl who lives with her mother and younger sister. Obsessed with the idea of becoming famous thanks to her physical appearance and followers on social networks, Liane has high hopes of changing her life when she is called to audition for a hit reality show.

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Una ragazza brillante” e gli altri film della settimana

Photogallery4 foto

Shot in several sequences with the hand-held camera, so that the young protagonist's turmoil can be felt even more closely, 'A Bright Girl' is a film about adolescence that connects to many reflections on today's world and the need for many young people to be flashy at all costs, to be seen and to feel alive in a world increasingly dominated by digital logic.

With just the right amount of emotional transport, Riedinger's direction strongly empathises with the main character, while not forgetting to offer interesting insights into the supporting figures (the cast also includes Alexis Manenti, who became famous with Ladj Ly's 'Les Miserables').

A film that tastes too much like it has already been seen

The main merit of this first film is its ability to involve, thanks also to a discrete editing rhythm, but at the same time there are obvious limits in a script that smacks too much of the familiar and in the treatment of ideas that others have handled with greater care and depth in recent years: suffice it to think, on the subject of influencers, of Radu Jude's splendid "Do Not Expect Too Much From the End of the World", seen in competition at the 2023 Locarno Festival.

Even the style, while effective in several passages, is reminiscent of many other films that have recounted similar paths of formation to that of the protagonist.

Being a debut, one can still see a fair amount of maturity on the part of the French director, but from a film presented in competition at the Cannes Film Festival - it was in the running for the Palme d'Or last year - one could really expect something more.

The Master

New releases include 'Il maestro', a new film by Andrea Di Stefano starring Pierfrancesco Favino.

At the centre of the plot is the story of Felice, a thirteen-year-old boy, a still unripe tennis talent with an enormous pressure on his shoulders, that of a father who has invested everything in his future success.

After years of rigorous training, the time has come for national tournaments. To prepare him, his father entrusts him to Raul Gatti, a former tennis player who accepts the assignment, despite being a disillusioned man and victim of a present made up of regrets.

The screenplay of 'The Master' is quite canonical. It is a film about a dual formation story - for both the child and the adult - in which the roles of master and pupil constantly interchange.

Set in 1980s Italy, the film is too lazy in its treatment of themes that are not very well explored, although the good pace still manages to make it a fairly engaging product from start to finish.

It is an enjoyable feature film without any tired moments, but at the same time there are no flashes to report and in some cases rhetoric peeps too much into the narrative.

Good, however, the chemistry between the two main actors, Pierfrancesco Favino and the young Tiziano Menichelli, while for Andrea Di Stefano it is a small step backwards compared to the surprising 'L'ultima notte di Amore' of 2023.

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