From craft workshop to furniture industry: LEMA's growth between tradition and innovation
LEMA's evolution from craft workshop to global industry, led by three generations of entrepreneurs
by Luca Brambilla*.
4' min read
4' min read
Observing and learning from the experience of others is one of the most effective and virtuous methods of growth. This is why the history of Italian excellence that has been handed down from generation to generation can provide valuable insights for anyone aspiring to entrepreneurial success. LEMA, an interior design company that today employs 235 people and has a turnover of EUR 55 million, is rightfully among these virtuous models. Narrating its journey are President Angelo Meroni and his sons Andrea and Matteo.
The Brianza workshop and the encounter with Milanese design
It all began in the 1930s in Arosio, in the heart of Brianza, when Angelo Meroni - grandfather and namesake of the current president - opened a small wooden furniture workshop.
The turning point came after the Second World War, when the family opened a shop in Milan: the metropolis allowed for an initial contamination, with emerging architects and designers orienting the design culture towards a more contemporary aesthetic.
Craftsman's customisation, industry scalability
.In the 1970s, the craft workshop was transformed into a real industry. Here is LEMA, acronym for Luigi and Enrico Meroni Arredamenti, led by the second generation, Angelo's sons. It was during this period that architect Angelo Mangiarotti designed the first headquarters in Alzate Brianza, later followed by the one in Giussano. Today, the production facilities cover an impressive 55,000 m². Here the company began to give shape to the two souls that still characterise it today: the artisan ability to customise and the efficiency, precision and industrial scale of production.
Customisation also became LEMA's trademark thanks to the genius of architect Tito Agnoli, who brought to Italy for the first time the load-bearing shoulder system that allows customised bookcases. This innovation is followed by another: a range of 25 different colours. "The colour palette even included violet, a decidedly revolutionary colour for those times," Angelo Meroni recalls. The power of colour also invaded the increasingly numerous physical shops, where the company's furniture stood out amidst the typical neutral tones of wood.

