Major Events

In the summer of music festivals, brand value also rings out

From the Coca-Cola I-Days in Milan to the Kappa FuturFestival in Turin: companies on the hunt for partnerships with concerts, a fast-growing sector that engages audiences like few others

by Francesco Prisco

I-Days. Per il terzo anno consecutivo il festival che si tiene all’Ippodromo di Milano ha visto la partecipazione di Coca-Cola in qualità di title sponsor. Spettatori oltre quota 400mila per un cartellone che andava da Dua Lipa a Post Malone e Linkin Park

4' min read

4' min read

'Where words do not reach... music speaks,' said a certain Beethoven. The reference was to that ability to make souls vibrate that is inherent in the art of sounds and silences, especially when practised live, in concert. The 'Ludovico Van' was talking about music in the highest sense of the word, but his lesson fits perfectly with a practice that modern marketers know well and brands have learnt to frequent: in a communication scenario crowded with words that are not always convincing, with music, if you are good, you get to touch the audience's heart much better. And with live music you can reach the audience segment you feel most affinity with.

Beyond some parasol polemic, the live music sector, here in Italy, is is in excellent health: in 2023 it reached a record turnover of 967.4 million and on Wednesday 16 July the new Siae Entertainment Yearbook certified the third consecutive year of growth, after the dark two-year period of Covid. Brands know this and, having archived the lockdown, have resumed attending festivals with renewed passion.

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Coca-Cola and the I-Days Milan

One of the most active is certainly Coca-Cola, for the third year running title sponsor of the I-Days in Milan, a 400,000-plus spectator festival organised by Live Nation, which saw Olivia Rodrigo perform on Tuesday 15 July, before the Post Malone concert on 28 August. The event, according to Paola Donelli, Frontline activation marketing director of Coca-Cola for Italy, represents "the most eagerly awaited concert series of the Italian summer and we chose to become its title sponsor because it is a unique opportunity to strengthen this vision, offering moments of authentic connection with people". According to the manager of the multinational beverage company, music is "the engine that creates emotions, connections and community. The Coca-Cola Milan I-Days embody these values, they are a symbol of aggregation, inclusion, sharing and optimism, values that have always guided us". What better exists "to connect even more directly with the new generations, proposing immersive and meaningful experiences".

The sponsorship with the I-Days is part of a broader strategy of dialogue with music, on the part of Coca-Cola, which between May and June in Pantelleria christened the Island Fuze Tea Festival and with the Fanta brand, in 2024, he took part in the Max Pezzali tour, until collaborating with Fedez on the video for Mille, the summer 2021 hit.

Robe di Kappa and the Kappa FuturFestival

If we move from the perimeter of rock and pop to that of electronic music, the summer event of reference is surely the Kappa FuturFestival, which concluded on 6 July at Turin's Parco Dora, with over 120,000 attendees over three days attracted by Anyma, Carl Cox, Peggy Gou, Nina Kraviz and Meduza. Here the relationship with the title sponsor - the Turin-based Robe di Kappa brand, in the portfolio of Marco Boglione's BasicNet - is very evocative: organising the FuturFestival, since 2009, is in fact Movement Entertainment, a company owned by Maurizio Vitale, son and namesake of the founder of the sportswear brand of the two iconic 'little men', back to back.

"With the brand we share the same audience," he tells Il Sole 24 Ore, "made up of average young, sporty, modern, digital guys who come from 150 different countries". Kappa is the first, but not the only sponsor of the FuturFestival: in total there are 25, ranging from Campari, with the Jägermeister bitter, to Carlsberg, with Tuborg, and the event's official train Frecciarossa by Trenitalia and Sammontana ice creams. "At an overall level," explains Vitale, "sponsors contribute between 10 and 13% to an event that costsaround 10 million euro and brings in a turnover over 12 million. A proudly Torinese and independent event'.

Conad and Umbria Jazz

Territoriality, which is also identity, often plays an important role. Perugia, for example, is home to one of the most important cooperatives of the Conad universe. And so it is that, since 2006, Conad has sponsored Umbria Jazz, here in Italy the festival par excellence of black classical music. "Year after year we have activated new things," says Pino Zuliani, marketing director of the large-scale retail group. "Twelve years ago, faithful to the claim "People beyond things", we decided to bet on young people, through a contest that every year gives nine ensembles of up to eight elements of young people aged between 18 and 28 the chance to perform at Umbria Jazz, submitting unreleased works".

For the winner there is a 5,000 euro token and, from this year, also the publication of the Ep with Perugia's performance for Universal Music. 'A project,' says Giovanni Mazzucchelli, head of classical and jazz for Universal Music Italia, 'on which we threw ourselves with great enthusiasm: in fact, giving young people a chance reflects our company policy perfectly. And we tried to do something more, through a masterclass with participants on how to manage their careers'. When co-branding activities coincide with socially responsible marketing.

Money, it's a gas!

francescoprisco.blog.ilsole24ore.com

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