Mediobanca Report

Media: a growing market driven by streaming and the internet

In Italia, revenue is expected to rise by 5 per cent in 2026, but so far advertising spend has fallen for TV and radio; Rai, Sky and Mediaset remain at the top, but their market share is declining under pressure from streaming platforms

 (Adobe Stock)

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

The media sector, both in Italia and abroad, is a growing market. But the driving force behind this growth is, inevitably, changing. This is what emerges from the latest edition of the Media & Entertainment report, produced by the Mediobanca Research Department

In 2026, the aggregate revenues of the leading operators are expected to grow by between 4 and 5 per cent, following a weaker 2025, estimated by the Mediobanca Research Department at between 2 and 3 per cent. The driving force behind this growth will not be traditional television, but rather streaming, digital advertising and the impact of major sporting events, from the Milan-Cortina Winter Olympics to the Football World Cup.

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The clearest indication comes from the advertising sector. In the first six months of 2026, investment rose by just 0.5 per cent, but there is a wide gap within this average: digital advertising rose by 3.4 per cent, whilst TV fell by 2.1 per cent and radio by 3.7 per cent. In June alone, radio and television advertising revenue fell by 5.6 per cent. Advertisers follow the audience, and the audience is increasingly moving between platforms, online video and connected screens. Indeed, in Italia, 50 per cent of the time spent on YouTube is now via connected TVs: the boundary between television and the internet is blurring just as the domestic screen regains its central role, but with a digital focus.

Streaming is now the economic backbone of the industry. In the Italian broadcasting market in 2025, online subscriptions reached 2.4 billion, accounting for a quarter of the 9.6 billion in total revenue, becoming the second-largest source of income after advertising and overtaking satellite and traditional pay-TV. In 2024 – the latest consolidated figures based on a broader scope – SVOD revenues had grown by 15.8 per cent. The growth continues, but its nature is changing: less focus on acquiring new subscribers, more on monetising existing ones.

This is where the battle for 2026 will be fought. Ad-supported plans, AVOD offerings and Fast channels are on the rise, whilst platforms are focusing on pricing, bundles, combating account sharing and upselling. Netflix reports that over 60 per cent of new subscriptions in markets where the ad-supported plan is available now come from that option. This signals a hybrid model in which subscription and advertising are becoming increasingly intertwined.

The pressure is mounting on Rai, Sky and Mediaset. The three groups remain at the heart of the Italian market, but their share of the Mediobanca sample’s revenues has fallen from 68 per cent in 2022 to 63 per cent in 2024 and is expected to fall further in 2025. Meanwhile, streaming-native operators and aggregators such as Prime Video, SkyQ, Timvision and DAZN are gaining ground. Rai remains the leading operator by turnover, ahead of Sky and Mediaset, but a European comparison also reveals another fact: the Italian public service broadcaster is smaller in scale than its main continental counterparts, with revenues of 2.8 billion compared with 9.8 billion in Germany, 7.9 in the United Kingdom and 4.4 in France.

The TV licence fee also remains an issue. In Italia, it costs 90 euros a year, the lowest rate amongst the major European countries: 25 cents a day per subscriber, compared with an average of 34 cents. The issue is not just how much Rai costs, but what resources it has to compete in a market where the television is losing its central role as a device and viewing is shifting to smartphones, apps and connected TVs.

Mediobanca’s Area Studio, however, conducts research that extends well beyond national borders. According to the survey, in 2025 the aggregate turnover of the 25 leading private international groups in the Media & Entertainment sector reached 362.8 billion: up 2.8 per cent on 2024 and up 6.8 per cent on 2022. US operators continue to account for 84 per cent of revenues: of the world’s 25 largest private players, eleven are based in the US (led by Comcast with 99.6 billion), ten in Europe (led by the Canal+ group with 8.1 billion) and one each in Saudi Arabia (MBC), Brazil (Globo), Japan (Sony with 8.7 billion) and India (JioStar).

Streaming remains the sector’s main driver of growth. Revenues from video-on-demand subscriptions account for 22.2 per cent of total turnover and have recorded the strongest growth among the main business lines (+13.4 per cent compared with 2024). By contrast, advertising (-4.1%), traditional pay TV (-2.5%) and content production and distribution (-2.1%) have all seen a decline.

The user base of streaming platforms continues to grow (+6.1 per cent compared with 31 December 2024), albeit at a slower rate than in previous years. Netflix is the global leader, with over 300 million subscribers, accounting for 27.7 per cent of the global SVOD (subscription video on demand) market. It is followed by Amazon Prime Video, with over 200 million users, and Disney, which, with Disney+ and Hulu, has over 196 million subscribers.

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