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Music: a label to distinguish tracks generated by artificial intelligence

The global music industry is launching two labels: ‘AI-generated’ and ‘AI-assisted’

2' min read

Translated by AI
Versione italiana

2' min read

Translated by AI
Versione italiana

The music industry is trying to label artificial intelligence. And to do so before the proliferation of synthetic tracks makes it increasingly difficult to distinguish between a recording made by artists and a product generated by an algorithm.

IFPI, RIAA, A2IM, WIN, IMPALA, the Grammys, SAG-AFTRA and the Human Artistry Campaign have introduced a voluntary classification system for sound recordings based on two categories: ‘AI-generated’ and ‘AI-assisted’. The aim is to achieve global adoption by digital music platforms, distributors and other stakeholders in the industry.

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Not just a simple label, then, but an attempt to establish a common industry standard in a market where the supply of AI-generated music is growing at a rate that is hard to ignore. In April, Deezer reported that AI-generated tracks accounted for 44 per cent of all new music uploaded to the platform. Apple Music, according to the associations, reportedly found that more than a third of uploaded tracks could be classified as ‘100 per cent AI’.

The first label will be applied when generative artificial intelligence has produced all or the main part of the creative elements of the recording: from the lead vocals to the main instruments, right through to music created entirely via a prompt. The term ‘AI-assisted’, on the other hand, will apply to works created predominantly by people, with the lead vocals and main instruments performed by humans, but in which technology has been used for certain expressive elements.

The distinction thus seeks to reconcile two requirements: to make entirely artificial content recognisable, whilst not equating works in which AI is used as a creative or technical tool with such content.

“Fans want to know whether and how generative artificial intelligence has been used in the music they listen to,” said Victoria Oakley, CEO of the IFPI, and Mitch Glazier, Chairman and CEO of the RIAA, in a joint statement. “Given the importance that human artistry and authenticity hold for music fans around the world, these labels will offer an approach to transparency that is immediately understandable and easily scalable.”

The visual indicators will be accompanied by metadata embedded in distribution systems, so that the trail can be traced along the chain from record labels to streaming services. The organisations behind the initiative intend to work with platforms, aggregators, distributors and authorities to extend the initiative across the entire sector and adapt it to the rules emerging in different jurisdictions.

For independent creators, the project is just the first step in a wider system for content provenance. “Establishing an industry-wide framework with standard definitions for AI-generated material and its labelling is crucial and urgent,” said Helen Smith, executive chair of Impala. The initiative, she added, represents “an important first step towards a provenance system that the entire sector can proudly embrace as a mark of quality”.

For the time being, the labels will apply only to sound recordings. Lyrics, compositions, music videos and album covers are excluded.

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