“Wild Horse Nine”, a meticulously crafted screenplay and a stellar cast
Now showing in cinemas: the latest film by Martin McDonagh, director of *Three Billboards Outside Ebbing, Missouri* and *The Banshees of Inisherin*
A flawlessly written black comedy: that is how one might sum up *Wild Horse Nine*, a truly remarkable feature film in which director and screenwriter Martin McDonagh reaffirms his status as one of the finest writers in contemporary cinema.
Also a great playwright, McDonagh had already demonstrated his immense talent with films such as *Three Billboards Outside Ebbing, Missouri* and *The Banshees of Inisherin*, but he has truly outdone himself with this new feature film, which was screened in competition at the latest Venice Film Festival.
Set in Chile in 1973, shortly before the coup, the film centres on CIA agents Chris and Lee, who are about to leave Santiago to spend a week on Easter Island.
Amidst the iconic local statues, whilst the two long-time friends grapple with their own dark pasts and the conspiracies of the present, the bond Chris forms with two rebellious schoolgirls threatens to send everyone’s stay in this remote paradise in an unexpected direction.
Martin McDonagh’s films undoubtedly continue to be influenced by his theatre training and his work on stage: his films are, in fact, based on scripts with a breakneck pace and, above all, on the concept of working within extremely confined spaces – spaces that appear very open yet, paradoxically, are also very claustrophobic.


