Cannes Film Festival

Palme d'Or for Lifetime Achievement for Peter Jackson, director 'almost by accident'

Oscar winner Peter Jackson talks about his beginnings and his impact on Cannes, his love for King Kong and the adventure of 'Lord of the Rings

by Cristina Battocletti

Il regista neozelandese Peter Jackson riceve la Palma d'Oro d'Onore dalle mani di Elijah Wood durante la cerimonia di apertura e la proiezione del film "La Venus electrique" (The Electric Kiss), fuori concorso, alla 79ª edizione del Festival di Cannes, a Cannes, in Francia, il 12 maggio 2026. REUTERS/Manon Cruz   REUTERS

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

The director of good monsters and spirits, of compassionate looks, the master of the Lord of the Rings, Peter Jackson, was greeted in Cannes with a standing ovation. Not only at the awarding of the Palme d'Or for Lifetime Achievement from the hands of his Frodo, Elijah Wood; but also by the lucky ones who managed to snag a ticket to meet the Oscar-winning director in the Debussy Hall of the Cannes Film Festival for a Q&A.

Casual and embarrassed

Wearing a brown velvet jacket one size smaller than it should have been, a burgundy-coloured shirt over brown trousers, and hiking shoes - all frumpy and frayed -, Jackson receives the standing ovation of the fans with embarrassment. And it is not a pose. The day before, in the dinner jacket with the low waist and overflowing belly, the few long hairs - which on the tapis rouge stood up in the wind -, you could see that he was in severe discomfort. The same discomfort that then gripped him in the arm-in-arm speech he made on stage after a montage of his most famous films, from Fuori di testa (1987) to Splatters - Gli schizzacervelli (1992), to Creatures of Heaven (1994), to Suspended in Time (1996), to the Lord of the Rings saga, to King Kong (2005)y, to the TV miniseries The Beatles: Get Back (2021).

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The speech for the Palme d'Or Lifetime Achievement Award

Yesterday on stage at the Grand Auditorium Louis Lumière joked about the miracle of holding the precious Palme statuette. "I don't make Palme d'Or films, it's an absolutely extraordinary surprise and an incredible honour. I have only been to Cannes twice before, but both times I was there, it was an important milestone in my career'.

Standing ovation a Cannes per Peter Jackson

Photogallery8 foto

Love for Buster Keaton

During today's meeting with a smaller audience Jackson appears more relaxed, no longer mumbling as he did the night before. Elijah Wood is in the room, and he tries to welcome the applause by shielding himself. Then he tries to start the meeting to quell the clapping and explains with eyes to the sky. "A film is chemistry in front of and behind the screen," recounting his love of horror that also makes you laugh, his love of scares, his sense of the grotesque and his passion for Buster Keaton. "I make the films I love to see"

The beginning of the career

Jackson happily looks back to his early days, when it took him four years of weekend work to make Out of the Mind. "For a rookie making a horror film is the easiest way, you can make them without a script and the more exaggerated you make them the better. But for me, the chances of becoming a director were very close to those of becoming a belly dancer and Olympic high jump champion'.

The Impact on Cannes

Then he recounts his first impact with the Cannes Film Festival where he had come for Fuori di testa 'I had arrived from New Zealand and I had done everything necessary, filled out the forms impeccably, and then I go to the queue to collect my accreditation. And there I realise that collecting the badge is like winning a ticket to Willy Wonka. Then I head towards the Palais and am stopped by the security guards and sent back outside because I am in short trousers'.

Love for King Kong

Then Jackson talks about his love for King Kong. "I grew up in the 1960s and when we bought television initially I fell in love with the Thunderbirds series. Then when I was nine years old on TV they showed King Kong from 1933. I loved it immediately but there was no love story. King Kong is in love with Fay Wray, but she screams the whole time. So I wanted there to be some love on both sides in our version. From that vision, however, I realised that I had fallen in love with cinema and wanted to make films like that. My parents had a camera at home and I started making small signatures, without beginning and end, but small animated films'.

The Lord of the Rings

Then you get to the Lord of the Rings chapter 13 Oscars for (The Lord of the Rings - The Return of the King) the audience warms up. "When I started working on the first chapter I never thought I would be on this story for 25 years. One of the things I like about films is that they stay in the air in a strange way. I have of course read Tolkien, but actually this film came about in a random way. While shooting Suspended in Time we realised that we had built a visual effects company and had about 30 computers with 30 team members doing CG effects. When the film finished we didn't want to lose these people and we were thinking about a film to maintain this infrastructure and the only solution was to create a fantasy. We started to write an original story, but every time The Lord of the Rings came up, so..." Then he has a gesture of gratitude towards Elijah Wood. "Without him, without his optimism, his always positive attitude, we could not have made such a film. We didn't know enough to be afraid. He helped me make films with his optimistic energy. I am grateful to you,' he says addressing the audience somewhere in the room and a big round of applause breaks out.

The Beatles chapter

Many other films are mentioned, and extensively, but an important chapter is devoted to The Beatles.

"I didn't want to get my hands on that original footage. It was January 1969: a bad time for the band, they were about to split up. I thought 'I don't want to see this misery', but then curiosity got the better of me and as I watched, I caught myself laughing and thought 'People will enjoy this, it's so unusual'. They are nice guys who work together and the story was completely different from what has been handed down. Even Paul McCartney had the same wariness, he felt like he had a bad memory. Instead, he enjoyed it'.

At the end, there was another standing ovation and Peter Jackson stood at the edge of the stage for a long time signing hundreds of autographs.

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