Wine Pills

Tell me what wine you order and I’ll tell you… not who you are, but who you want to appear to be

At a restaurant, we don’t always choose the wine we’d most like to drink at that moment, but the one that best conveys the impression we want to give others of ourselves

Dimmi che vino ordini e ti dirò... non chi sei, ma chi vuoi sembrare

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

At a restaurant, we don’t always choose wine because we like it. Sometimes we choose it for the image of ourselves that the wine helps to create. It seems like a subtle difference, but it isn’t at all.
There are wines we drink and wines we order. The former are the ones we know, the ones we genuinely like, perhaps without even being able to explain exactly why. The latter come into play when someone is watching us.

Because the wine list is a bit like a small social stage. And we all try to play a part – not just a bit part or a respectful cameo.

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There’s the sort who orders straight away, without even looking at the wine list: “Let’s have a Nebbiolo!” It doesn’t matter which one or from which region. The point is to make it clear that he knows exactly what he wants.
Then there are those who start poring over the wine list at the table as if they were sitting a state exam, and often in the most expensive restaurants, the wine list is as thick as the Bible. They scroll through it, go back, read the appellations and vintages, ask a seemingly innocent question, and then another, and yet another. All simply to avoid making a mistake.
It’s a fear that’s far more widespread than people care to admit.

Wine, in fact, has a curious flaw – a peculiar incongruity, shall we say – in that it manages to intimidate even the most intelligent. Faced with a wine list full of producers you’ve never heard of, unpronounceable appellations and prices that suddenly make you appreciate mineral water all over again, even the most self-assured person can feel caught off guard. And that’s when the strategy kicks in.

There are those who choose a big-name label because they know no one can take it away from them. Those who go for the famous name as if it were a form of insurance. And those, on the other hand, who seek out the unknown wine, the small appellation, the unlikely grape variety. “Do you know this one?” There you go. The question is no longer about the wine. It’s about him.

Then there are those who want to appear nonchalant. They order a bottle with an air of nonchalance, perhaps pronouncing the producer’s name without hesitation, as if they’d grown up amongst the barriques in his cellar.
Sometimes it’s all true. Other times it’s pure theatre. But wine lends itself perfectly to the part.

And then there’s the wine chosen to impress. The important one, preferably with a name that makes the diners’ eyes pop. Not necessarily because it’s the wine you actually want to drink, but because it has to convey something along the lines of: “I know my wine”. Or, more simply: “I can afford it”.

Experience also brings to mind a classic scenario: the diner who says they don’t want to spend too much and then chooses the bottle just one price bracket above the cheapest one. Now then: they aren’t stingy, but prudent. Theywant to save money without giving the impression that they’re trying to save money. This, too, is communication.

Another example is always choosing Champagne when you’re with friends. Not necessarily because it’s your favourite wine, but because Champagne serves a specific social purpose: it’s very chic and sets the mood, signalling that the evening is a special occasion. Even when it isn’t.

Conversely, even ordering a wine that is completely unconventional can be a way of asserting one’s independence. “I don’t follow trends”. Which, curiously enough, is one of the phrases most often used by those who follow a very specific trend, namely that of not following trends.

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The point is that there’s nothing wrong with that, because wine is about pleasure, culture and conviviality, but it is also a language. And like all languages, it tells us something about ourselves. Or, perhaps, about what we’d like to say. Choosing a wine to accompany a meal is, after all, somewhat autobiographical.

We’d like to come across as knowledgeable, but not know-it-alls. Refined, but not snobbish. Generous, but not show-offs. Well-informed, but not the sort who know it all. And above all, we’d like to come across as spontaneous – which is perhaps the hardest part, because even spontaneity, when faced with a wine list, can turn into a performance.

I, on the other hand, believe that true luxury – the most appropriate kind when it comes to wine – is simply being able to say: “I like this”. The rest follows naturally. It might spark a good conversation at the table, or it might not.
Without having to explain why. Without seeking out the rarest grape variety or trying to prove you know the vintage and its characteristics inside out, but above all without choosing a bottle thinking you have to make a good impression.

After all, a bottle doesn’t recognise us; it doesn’t know who we are, or even who we’d like to appear to be. But the way we choose it sometimes says a great deal.
And perhaps, come to think of it, the hardest wine to order in a restaurant isn’t the rarest, most expensive or most prestigious one. But the one we really like. Especially when nobody’s watching.

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