Beauty victim of war, but in East Jerusalem there are those who protect it
How Pro Terra Sancta preserves the art and cultures of the West Bank. And what Easter means when you watch the rockets from the rooftops of Bethlehem
Key points
There is a place in Jerusalem that cares about preserving the cultural heritage of that land. It is located in the Old City - a square kilometre of land within the Ottoman walls, home to some 30,000 people, of whom 9 out of 10 are Muslim - housed in the courtyard of a Franciscan convent.
"It has always been a little uninviting for those who live here, because it seems reserved for Christian pilgrims, but in truth it is an archaeological collection that tells the history of this region". Speaking is Morgane Afnaim, who arrived in that part of the world from Milan almost five years ago thanks to civil service and the association Pro Terra Sancta and now, as a cultural mediator, is the project manager of Hakayet Turath - literally "stories from heritage", in Arabic - a training course aimed at educating and raising awareness among local young people about the artistic heritage of their territory.
The project, carried out by the Franciscan friars and the Terra Sancta Museum with the support of the European Union Heritage Education Hub for Palestinian Youth, now employs eight Palestinian youth and opens the museum's doors to the neighbourhood's population, organising arts and crafts activities and workshops that have so far reached more than 1500 children.
"This land is not rich in natural resources, but it has a very precious artistic, cultural and spiritual heritage. Entrusted to people in great difficulty: the Palestinian population clearly has priorities for survival today", explains Carla Benelli: an art historian who grew up in Rome, she has lived in East Jerusalem for almost thirty years now and coordinates the projects of Pro Terra Sancta. Her hands have touched and restored the mosaics of Jericho together with Franciscan archaeologistMichele Piccirillo, the Gethsemane, and now work on the conservation of theHoly Sepulchre.
"But it is very important to pass on to those who live here the skills to conserve this heritage: it is a benefit for all and a hope for the future," he says. After decades of conflict, the focus "goes first and foremost on the broken lives, on those who cannot return. Together with the population, however - which is clearly the first victim - there is also a less obvious victim: history, monuments, the beauty of an area that is destroyed,' he warns.
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