The seven lives of social, brands relaunch on creators and communities
Unilever confirms that more than half of its budget will go on online collaborations
You know, the year always starts with resolutions that are gradually being broken. Yet the campaign just launched in the US market by Crunch Fitness - one of the leading low-cost gym chains - tells how the formula for their clubs' success is through community. The commercial was directed by award-winning director Hype Williams and emphasises the transformative power of training. The company has designed an experience that improves the physical and mental well-being of its members, involving them in giving advice of all kinds. In the end it is as if each member becomes in turn a personal trainer for other members, while the gym is seen as entertainment to transform performance anxiety into belonging.
An idea of co-creation that is all encapsulated in the intuition of founder Doug Levine, when in 1989 in New York with only five thousand dollars he decided to open the first club. Today the brand is present in America, Canada, Spain, Portugal and has three million members for a turnover of around one billion dollars. The gym as a social place. A plural tale where the company is not necessarily the protagonist.
Hosting conversations
It is not the only company to have bet on the community. Making waves at the start of the year is Unilever, the protagonist of an interview in the Guardian that marks a turn towards active listening logics. The British multinational consumer goods company, owner of 400 of the world's most popular brands and with a turnover of 50 billion euros, has decided to radically revise its advertising strategy, investing in online conversations and testing many viral ideas in the laboratory, then collaborating with creators to amplify them, maintaining authenticity and dialogue with communities.
It is an epochal paradigm shift: new CEO Fernando Fernández aims to allocate up to half of the budget toonline content and collaborations with social ambassadors instead of traditional advertising. It all started with the spontaneous viral phenomenon linked to his Vaseline brand on TikTok. The cream - an iconic product for over 150 years - was relaunched with practical tips from users who use it in creative ways: from cleaning their shoes to prolonging the life of their perfume. Instead of ignoring this content, Unilever decided to enhance it. A transition from the one-to-many model to many-to-many relationships with active and fragmented communities.
It is the triumph of thesuperconsumer, as defined in the Harvard Business Review by Eddie Yoon: they are not just users, but emotionally engaged people. "The question is not how to convey a message, but how to be part of the conversation," Fernández told the Guardian, claiming to already work with 300,000 influencers worldwide and announcing a plan to increase the number of collaborations by 20 times, as Business Insider reported.


