Cinema

Venice 83: Oasis are coming and Nanni Moretti is back. Cruz and Bardem on the red carpet

The Film Festival unveils its programme. President Buttafuoco speaks out against EU cuts. Robert Pattinson is also eagerly awaited

Da sinistra: il presidente della Fondazione La Biennale di Venezia Pietrangelo Buttafuoco e Il direttore del Settore Cinema della Fondazione La Biennale Alberto Barbera posano davanti il manifesto della 83esima Mostra Internazionale di Arte Cinematografica, poco prima della conferenza stampa di presentazione del programma della rassegna cinematografica, nella sede della biblioteca della Biennale, Venezia, 23 luglio 2026.  ANSA/Andrea Merola

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

The arrival of the Gallagher brothers

A faint murmur ripples through the library hall of the Biennale’s Historical Archive of Contemporary Arts, where the press conference to present the programme for the 83rd Venice Film Festival (2–12 September) is taking place, when the artistic director, Alberto Barbera, announces that the Gallagher brothers are on their way. The ‘Monster’ section, out of competition, features the documentary Oasis: Don’t Look Back In Anger, conceived by screenwriter, producer and director Steven Knight (Peaky Blinders, A Thousand Blows), and directed by Dylan Southern and Will Lovelace (Shut Up and Play the Hits, New York: The Rebirth of Rock and Roll), which will be in Italian cinemas from 10 September and available to stream on Disney+ by the end of the year.

I fratelli Gallagher in arrivo a Venezia

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It will be a real challenge to contain the flood of fans arriving at the Lido to pay tribute to Liam and Noel. This is a real coup for the Festival, which has managed to secure the much-heralded and hotly contested documentary chronicling the triumphant Oasis Live ’25 reunion – one of the most eagerly anticipated rock comebacks of recent years – and, above all, to have the stars themselves in the flesh on the red carpet.

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The Return of Nanni Moretti

The other major news is Nanni Moretti’s return to Venice following the rift that occurred in 1989 over Palombella rossa, the exceptional film that had foreshadowed the political instability of the Italian left and had not been accepted into the competition. Barbera mentions the rift but does not elaborate on it. Moretti returns following Tre piani, adapting a book by the Israeli writer Eschkol Nevo, Succederà questa notte, which was tipped to go to Cannes. The plot follows the emotional journeys of four tenants living in the same block of flats in an Israeli city, starring Louis Garrel, Jasmine Trinca, Angela Finocchiaro and Hippolyte Girardot. Controversy is guaranteed, with protests expected.

Torna Nanni Moretti al Lido

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Five Italians in the competition

Twenty films have been selected for the main competition at the 83rd Venice Film Festival, and among them are five Italian films in the running for the Golden Lion. Alongside Nanni Moretti, Marco Bechis returns to the world of the beautiful Garage Olimpo with Ritorno a Buenos Aires, a fictional film based on his own dramatic personal experience. Il fuoco che ti porti dentro by Edoardo De Angelis, starring Vanessa Scalera, inspired by the book of the same name – a tribute by Antonio Franchini to his mother; *The Echo Chamber* by Andrea Pallaoro, adapted from Bernardo Bertolucci’s final screenplay, and *L’estranea* by Paolo Strippoli, starring Jasmine Trinca, Romana Maggiora Vergano and Adriano Giannini, which tells the story of a family entangled in secrets and lies.

Famous foreigners and stars

Barbera listed the international guests – who are already stars or cult directors in their own right – in alphabetical order. First of all, the Golden Lions for Lifetime Achievement were already known; they will be awarded to Ellen Burstyn and George Clooney. The opening film is also known: Ink by Danny Boyle, 28 years after Trainspotting and Slumdog Millionaire. Ink recounts the acquisition of the newspaper *The Sun* by publisher Rupert Murdoch, who entrusted its management to Larry Lamb, eventually turning it into Britain’s best-selling tabloid.

Then there’s Casey Affleck in the gothic mystery Company starring Nick Nolte, and Bunker by Florian Zeller (director of The Lives of Others) starring Penelope Cruz and Javier Bardem, *Primetime* by Lance Oppenheim, starring  Robert Pattinson, and *Bucking Fastard* by Werner Herzog, starring sisters Kate and Rooney Mara.

Cult directors and just one woman

There is also room for auteur cinema with Ali Asgari and his A Bit of Light ; Stéphane Brizé, who continues his exploration of the world of work in Un bon petit soldat starring Alba Rohrwacher. The other French director is Nicolas Pariser: in short, the Festival did not retaliate against the Croisette, which had not screened any Italian films in any section (except in the Classics section with Francesco Zippel’s film on De Sica).

The other major international directors: Hirokazu Kore-eda, Lee Chang-dong, Martin McDonagh, Shinya Tsukamoto, Cédric Kahn, Ilya Khrzhanovsky, Lee Chang-dong. A slap on the wrist for the gender gap: the section features just one female director, the Danish May el-Toukhy, competing with Woman Unknown.

Orizzonti and ‘The Girl with the Leica’

Four Italian films in the Orizzonti section, which opens with La ragazza con la Leica (Guanda) by Strega Prize winner Helena Janeczek, directed by Alina Marazzi in German, exploring the figure of Gerda Taro and her marginalisation by the photographer Robert Capa. Also featured is Anna Foglietta’s directorial debut, the film adaptation of Nicola Lagioia’s novel La città dei vivi , directed by Edoardo Gabriellini. Finally, Tommaso Landucci presents his debut film, I figli della scimmia.

The out-of-competition film starring Martone and Russell Crowe

The Out of Competition section is truly monstre, concluding with Giovanni Veronesi’s Dio ride, starring Pierfrancesco Favino, Silvio Orlando and Carlo Cecchi. There are masters such as Gianni Amelio with Nessun dolore – starring Alessandro Borghi, Valeria Golino and Valerio Mastandrea – and Mario Martone with Scherzetto, starring Toni Servillo and Serena Rossi. There are also some international directors such as Lav Diaz and Kornél Mundruczó, who in Place to Be brings Taika Waititi and Pamela Anderson. Paul Schrader returns, Russell Crowe arrives with a musical film, alongside Alex Gibney and Amos Gitai. There will be a film about Palestine by Ahmed Hassouna and a film by the Ukrainian director Sergei Loznitsa. Luca Guadagnino arrives with a 435-minute documentary. Finally, the only series starring Emanuela Fanelli as herself.

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The row with the EU

The president of the Biennale, Pietrangelo Buttafuoco, after his opening greetings and expressions of thanks, got something off his chest regarding the European Union, quoting Phaedrus and the fable of the wolf, in relation to the failure to provide funding for the Russian pavilion’s participation in the Art Biennale. Buttafuoco compared the EU to the predator who accuses the lamb of muddying the water in order to justify its own abuse of power, describing the Exhibition as ‘a bastion of freedom’.

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