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Vermouth di Torino, here's why it is experiencing a second youth

Vermouth, an aromatised and fortified wine, is a little liquid magic; a delicate balance of herbs, spices, culture and botanical knowledge. It can be sipped slowly or used as the base for some of the most symbolic and famous cocktails in history

by Cristiana Lauro

Vi spiego perché il Vermouth di Torino è un mito della liquoristica

3' min read

Translated by AI
Versione italiana

3' min read

Translated by AI
Versione italiana

Vermouth is one of the longest-lived and most successful symbols of Italian liqueur-making. One of those inventions that when we cross national borders immediately make us feel brilliant, elegant, even a little clever. Our Vermouths have conquered the world with discretion.

The correct denomination, however, is Torino Vermouth and this is not a purist punctuation but a matter of identity. In fact, it was born in Turin in the second half of the 18th century thanks to Antonio Benedetto Carpano who had the brilliant intuition to mix white wine, sugar, alcohol and aromatic herbs, with absinthe playing the leading role. It is no coincidence thatin Germany the term Wermut denoted absinthe. Adding the name was like telling the world: this is something else. More elegant, more complex, definitely more Italia. In short, a whole other story!

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Behind a glass of Vermouth there is not just a recipe but an entire novel made up of trade, memorable advertising posters, historic cafés, good salons and changing social habits. Between the 19th and 20th centuries, Vermouth went through wars, crises, economic booms and changing customs, always managing to carve out a place for itself in the front row, from silent protagonist of the aperitif to fundamental ingredient in the preparation of the world's most famous cocktails, often without taking credit for it. In mixing, in fact, he is a true diplomat, capable of bringing together gin, whisky and singing company.

It was therefore born as an aromatised wine, linked from the outset to a precise social context: the aperitif. The perfect emotional climax, when the day is not yet over and duty is (and the evening has yet to begin). Yet it would be a mistake to think of it as nostalgic or motionless because over time it has changed, fallen and risen again.

Between the late 1970s and the late 1990s it experienced a period of tarnish, overshadowed by louder fashions and less thoughtful drinking. Then, as often happens to things done well, it returned and today it lives a second youth. Small artisanal producers are growing, while the big historic brands are rediscovering the value of their genetic archive. Bartenders are increasingly using it as a key ingredient to give depth and character to cocktails, while chefs and sommeliers are bringing it back to the table, demonstrating how it can dialogue with both traditional and contemporary cuisine.

Alongside the very famous Red, there are other types that deserve attention. The White Vermouth, born in France, has a straw colour and a delicate, floral profile: perfect neat or on the rocks in the coolest cocktails. The Vermouth Dry - made immortal by James Bond's Martini - is dry, sharp and ideal for keeping exuberant gins at bay. The less popular Vermouth Rosé winks at aperitifs and the aspect of creativity. Finally, there is also the Vermouth Chinato - more intense and structured - which definitely looks to the world of bitters and is much loved by hard-core enthusiasts.ù

Some of the most famous and popular cocktails in the world of mixology with a Vermouth quota include the Mi-To, the Americano - father of the Negroni, whether original or 'Sbagliato' - the Manhattan and the aforementioned Martini, to name but a few of the best known.

In short, Vermouth is a little liquid magic; a delicate balance of herbs, spices, culture and botanical knowledge. It can be sipped, savoured slowly as one does with important things, or used as the basis for some of the most symbolic and famous cocktails in history. Always with style, with measure and with that wonderful all-Italian ability to appear simple when underneath there is a world. To simplify is not to trivialise, and the idea of flavouring a wine proved to be a winner and anything but superficial.

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