Books

Anne Carson, a poet following in the footsteps of Sappho, wins the 2026 Nobel Prize in Literature

The Canadian writer has revitalised classical culture in seminal works such as *Eros: The Bittersweet* and *An Autobiography of Red*

Anne Carson ha vinto il premio Nobel 2026 per la Letteratura EPA

4' min read

Translated by AI
Versione italiana

4' min read

Translated by AI
Versione italiana

The 2026 Nobel Prize in Literature has been awarded to the Canadian writer Anne Carson, ‘for her bold and creative work which, in a playful dialogue with the classical tradition, has given rise to new forms of contemporary literature’. The announcement comes from Stockholm, following a decision by the Swedish Academy.

The author learnt she had won the prize shortly before the official announcement. “She had time to tell me that she is currently in Iceland, listening to the wind,” said Ingrid Carlberg, the Academy’s permanent secretary, at a press conference, having spoken to the Canadian writer on the telephone. “She was surprised, but very happy. I could tell from her voice.”

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Poet, essayist, translator, scholar of the ancient world, university lecturer and tireless innovator, Anne Carson has, over the last forty years, built up a body of work that brings into dialogue Sappho and contemporary culture, Greek myth and everyday life, academia and romantic passion.

Born in Toronto in 1950, Carson often recounts how she was captivated by the charm of the Greek language from a very early age. It was a secondary school Latin teacher who introduced her to that world, which would later become the centre of her intellectual life. After a somewhat erratic course of study in Toronto, which she abandoned and resumed on several occasions, she went on to obtain a bachelor’s degree, a master’s degree and a PhD in classical studies, subsequently completing her education at the University of St Andrews.

She has had a distinguished academic career. She has taught at some of North America’s leading universities, including Princeton University, McGill University, the University of Michigan and New York University. But it would be a mistake to reduce Carson to the role of a scholar. In her books, philology is never merely a specialist pursuit: it is a living discipline, a tool for exploring the great questions of existence.

Ever since her debut with Eros: The Bittersweet in 1986 – an essay exploring the theme of desire in Greek literature – Carson has demonstrated a rare quality: the ability to make ancient texts, dating back over two thousand years, feel contemporary. For her, myth is not a museum relic, but a form of knowledge still capable of shedding light on love, pain, loss and identity.

It was, however, with Autobiografia del rosso, published in 1998, that his name was definitively established within the canon of contemporary literature. The book draws inspiration from the mythological figure of Geryon, the red monster slain by Heracles, and transforms him into the story of a vulnerable, lovesick and restless teenager. Part novel in verse, part epic poem and part coming-of-age story, the work has become a cult classic and is perhaps the finest example of Carson’s ‘hybrid’ writing.

The same formal freedom characterises other seminal works such as The Beauty of the Husband, a reflection on marriage, desire and betrayal that earned her the prestigious T. S. Eliot Prize, and *Nox*, a poignant book-object dedicated to the memory of her late brother. In this latter work, photographs, fragments, translations, notes and reflections intertwine to create something that resembles neither a poem nor an essay, but a completely new form of coming to terms with grief.

Another important chapter in her career is her work as a translator. Her translations of Sappho’s fragments, collected in If Not, Winter, are regarded as among the most influential of recent decades. Carson does not merely transpose the ancient texts into English: she seeks to preserve their gaps, their silences, their absences. For her, even what is missing forms part of the meaning.

His writing is often described as erudite, but it would be unfair to regard it as literature intended solely for specialists. Behind his vast cultural knowledge lies a profoundly human tension. Carson almost always writes about love and distance, the impossibility of truly possessing another person, the fragility of memory and the problematic relationship between language and reality. These are universal themes, explored through a language that manages to be both rigorous and visionary.

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Throughout his career, he has received some of the most prestigious honours in the literary world, including the MacArthur Fellowship, the Guggenheim Fellowship, the Griffin Poetry Prize, the PEN/Nabokov Award and the Princess of Asturias Award. These awards bear witness not only to the value of his work, but also to his ability to influence generations of writers, poets and scholars.

Since 1901, the Nobel Prize in Literature has been awarded to 105 men and 19 women. The first woman to receive it was the Swedish author Selma Lagerlöf in 1909. For much of the 20th century, the presence of women remained marginal. Since 2017, the prize has been awarded alternately to a man and a woman. The most recent winner was the South Korean Han Kang, in 2024. The only Italian author to have won it was Grazia Deledda, who was awarded the prize in 1926

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